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Category Archives: Through the Looking Glass
Through the Looking Glass closes soon
12-Mar-07
It's your last chance to catch the Through the Looking Glass exhibition at Asia House. Quite by chance, and unfortunately making no reference to the show, the Times over the weekend featured one of the artists in a weekly column highlighting what's hot on the web arts-wise.
Sweet Dreams
Crayon drawings by small children are not merely destined for classroom walls or fridge doors. Oh no. In the case of the Korean photo artist Jung Yeondoo, they are the inspiration for his project Wonderland. Jung presents primitive kids' drawings, but click your mouse and they are transformed into real-life photographs, which try to ape every detail of the original. For example, the work Television was so Funny turns grinning girl figures into ...
South Korean Artists' Response to the Issue of Divided Korea
Lecture by Jim Hoare and Jiyoon Lee
Monday 11 December at Asia House 6.45-7.45pm
The current exhibition at Asia House is producing much food for thought. This is now the third post devoted to the exhibition and is unlikely to be the last. In an evening of two halves on Monday night, Jim Hoare, BAKS president and the UK's first chargé d'affaires in Pyongyang, gave a lucid overview of the history of the DPRK and engagement with the South; while Jiyoon Lee, curator of the exhibition, followed with a discussion of post-division South Korean art.
Hoare's presentation was compelling, and he held the audience's attention absolutely. He finished his talk with some photos from ...
Uncovering Wonderland
05-Dec-06
Review of the Asia House exhibition by Beccy Kennedy
The multi-storey, multi-story exhibition of contemporary Korean art at Asia House, Through the Looking Glass, provides a multi-faceted Korean art experience, in terms of the media used and the themes approached by the artists. Independent curator, Jiyoon Lee, uses the looking glass as an audience-friendly metaphor to describe the need for investigation between the worlds of Britain and Korea, as they collide within a globalising world. On one side of the glass are Korean art works, from an art world of which the British mind is perhaps unfamiliar; on the other side of the glass is this uninformed British consciousness, carrying with it assumptions and expectations of Korean culture. The two worlds ...
Yesterday morning's panel session gave a priveleged ((And good value, at only £4)) insight into the work of some of the artists represented at the stimulating show at Asia House. Chaired by Beth McKillop of the V&A, the discussant panel included Alessio Antoniolli from Gasworks, Hans Ulrich Obrist from The Serpentine, curator Jiyoon Lee and artists Duck-hyun Cho, Yeondoo Jung, Jeong-hwa Choi and Meekyoung Shin.
The artists presented some of their work outside of the pieces on display at Asia House.
Choi Jeong-hwa talked about his colourful Flower Tree installations (most recently in Singapore - left) and his Happy Happy project in Christchurch, New Zealand (right), which fences off a children's play area with brightly-coloured plastic objects. Other works (such as ...