Film reviews and comment

For a complete listing of LKL’s film reviews, click here. For a listing of the top films of the noughties – compiled from the lists of prominent K-film bloggers – click here, and the article was updated here. For LKL’s own list of the top films 2000-2010 (2003 was a bumper year) click here. Otherwise, all our reviews are in publication date order below.

OK, it was the second time I had seen it. The first time, I had slept through it. But that was because I had been entering into the spirit rather too much by indulging in a drinking session of Hongian proportions beforehand. The second time round, there was the anticipation of seeing the lead actress [...]

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“This bad movie is more fun than anything else”

by Philip Gowman 30 March 2013
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“In a bad movie week, this bad movie is more fun than anything else” – the FT’s verdict on GI Joe: Retaliation. The first one was such fun and such nonsense that really you’ve got to go and see this one too.

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LLGFF Festival Film Review: Leesong Hee-il’s White Night trilogy – seek it out if you can

by Philip Gowman 30 March 2013
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It was not so long ago that writing an article on queer cinema in Korea was a real struggle, for want of source material. Adam Hartzell does an excellent job in his 2002 Film Journal article Queer Pal for the Straight Gal, referencing films such as Wanee and Junah, Bungee Jump, Memento Mori and others. [...]

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The President’s Barber – an awkward film that’s difficult to categorise

by Philip Gowman 28 March 2013
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Lim Chan-sang’s The President’s Barber (효자동 이발사, 2004) was the first KCC screening of 2013, in which we will be seeing films featuring four actors each of who will be coming to London for a Q&A. The first three months feature Moon So-ri, who will be in London for a screening of Hahaha on 4 [...]

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Stoker: not one of Park’s best, but definitely worth a look

by Philip Gowman 28 February 2013
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Kim Ji-woon’s Hollywood debut, The Last Stand, created virtually no buzz and vanished from London screens within a couple of weeks of opening. Stoker, having created some positive vibes at Sundance, played to a packed house at a preview screening at the BFI on 27 February before it has its main UK opening on 1 [...]

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Song Hae-seong: A Better Tomorrow – not worth the time

by Philip Gowman 3 January 2013
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I have a huge admiration for Alua at Otherwhere and Colette at Oriental Nightmares for dedicating the time and energy to writing reviews of Song Hae-seong’s remake of the classic A Better Tomorrow. I only had the enthusiasm to stay for the first half hour (which I found confusing and uninteresting) before deciding my time [...]

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Film Festival Highlight: Eungyo – A poet looks into his glass

by Philip Gowman 19 November 2012
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Korea’s most famous poet, Lee Jeok-yo, is well into old age. He has taken as a student cum in-house assistant an aspiring but not very talented novelist called Seo Ji-woo. A neighbouring high school girl starts takes a cleaning job at the poet’s house, and a connection soon forms between the poet and the young [...]

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Festival Film Review: Masquerade deserved all the awards it got

by Philip Gowman 18 November 2012
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It swept the board at the recent Grand Bell awards – best film, best director and best leading actor among them. And for all-round entertainment, the closing film of the London Korean Film Festival 2012 deserved all those awards. Was a uniquely reformist tax policy set by a pantomime performer who was pretending to be [...]

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Festival Film Review: Spring Snow — on the value of the priceless

by Shouvik Datta 16 November 2012
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Spring Snow, the final film of this year’s London Korean Film Festival, was shown at London’s ICA on November 11. The film falls into a Korean tradition of documentary drama films such as Lee Man-hee’s A Day Off. Kim Soon-ok, played very well by Yoon Suk Hwa (윤석화), is an aging mother and wife. She [...]

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K-film at the BFI London Film Fest: A Fish — mysterious, tantalising and rewarding

by Philip Gowman 15 November 2012
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What a stunning first film. Park Hong-min is still a graduate student at Dongguk University, but this debut is amazingly confident. A truly mysterious creation which has you wondering throughout what is going on, and when it finishes you want to watch it again immediately to see if it makes more sense the second time [...]

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Festival Film Review: All about my wife – a perfect date movie

by Philip Gowman 11 November 2012
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Part of the K-comedy stream of the 2012 LKFF. Im Soo-jeong plays a shrewish wife driving her husband (Lee Seon-gyoon) crazy, causing him to hire a Casanova (Ryu Seung-ryong) to woo her to give him an excuse for divorce. This is a perfect date movie: entertaining, never too demanding but still making you think about [...]

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Festival Film Review: The Grand Heist – a lightweight, fun caper movie, but not for grown-ups

by Philip Gowman 11 November 2012
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If films require a minimum age classification so that youngsters are not harmed by seeing adult material, shouldn’t there also be a maximum age classification system to warn adults that they are going to be watching material designed for juveniles? If The Grand Heist, billed as a Joseon dynasty Ocean’s Eleven [1], had such a [...]

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Festival Film Review: One Deranged hour of my life that I will never get back

by Philip Gowman 10 November 2012
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Sometime you go into a movie not knowing what to expect and come out feeling fulfilled. Sometimes you go into a movie with high expectations and come out feeling disappointed. If I find a movie dragging, I’ll usually give it a chance to pick up. But when I really can’t see that the film is [...]

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Festival Film Review: Gabi – a glossy period spy movie with plenty to recommend it

by Philip Gowman 9 November 2012
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This year’s Korean Film Festival has a focus on period film – the closing gala is Masquerade, and we also have The Grand Heist, I am the King, and Gabi. Gabi is set in the last decade of the 19th Century, at a time when the Japanese and the Russians were competing for influence in [...]

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Im Kwon-taek and the wounds of the Korean War

by Philip Gowman 5 November 2012
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The Im Kwon Taek retrospective has given us all a chance to catch up on some of the films of the master that we haven’t seen before, rounding out our picture of Korea’s national director. Im is probably best known nowadays for his films which highlight some of the unique aspects of Korea’s cultural heritage: [...]

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Festival Film Review: The Thieves – an exhilarating start to LKFF 2012

by Philip Gowman 3 November 2012
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What can one say about one of the most popular Korean films ever? It’s slick, it’s got Jeon Ji-hyun and Kim Hye-su; it’s got Lee Jeong-jae, Kim Yun-seok and even Hong Kong megastar Simon Yam. Yes, it’s a real pleasure to combine in one film some of your favourite Korean eye-candy with a couple of [...]

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Im Kwon-Taek’s Village in the Mist — affairs on an Anonymous Island

by Philip Gowman 29 October 2012
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Han Su-ok, a young schoolteacher, arrives in an isolated mountain village to take up her first job in an elementary school. As she gets off the bus, the village initially seems deserted, like a ghost town, hemmed in by the high forbidding walls of the surrounding mountains like a prison. You wonder what sort of [...]

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K-film at the BFI London Film Fest: Nameless Gangster outstays its welcome

by Philip Gowman 13 October 2012
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What a disappointment. One of Korea’s biggest grossing films this year is just not good enough. It’s a perfectly acceptable gangster flick, but is as bloated as Choi Min-sik, who must have eaten a serious number of pies to get to his fighting weight for this film. The plot is rather charming in the way [...]

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K-film at the BFI London Film Fest: Doomsday Book is really not worth the effort

by Philip Gowman 13 October 2012
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Doomsday Book, the first of six Korean films to screen at the 56th BFI London Film Festival is a set of three short films based loosely on a science fiction theme. The two outer segments, gentle comedies directed by Im Pil-seong (임필성), sandwich a semi-serious but nevertheless meagre filling by Kim Ji-woon entitled Heavenly Creature [...]

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Kim Jeong-hoon’s A Petty Romance: a pleasant way to spend two hours

by Philip Gowman 31 August 2012
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A Petty Romance (쩨쩨한 로맨스, 2010) is one of those gentle romantic comedies which Korea seems to do so well. Charming, easy-going, and despite the story line – the composition of an adult manga – not particularly risqué. Written and directed by first-timer Kim Jeong-hoon it’s nothing to rave about but it’s a very pleasant [...]

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Come Rain Come Shine: beautifully restrained or just a little bit wet?

by Philip Gowman 31 August 2012
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There is a narrow dividing line between a movie which paints a delicate, nuanced portrait of characters who have subtle and restrained emotions, and a movie in which you want to just punch everyone in the face for being so wet. Come Rain, Come Shine is a movie which is on that dividing line, perhaps [...]

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