-
Back to front page
-
Vote
- Please give feedback on the LKFF

Monthly Archives
-
Recent Comments
- Pearl on Suju confirmed as LKL’s top drawer
- NOVA on Korea’s cute and funky cultural exports
- saharial on Please leave your comments on the Korean Film Festival
- Philip Gowman on The Birth of the YKABs (Young Korean Artists in Britain)!
- Sunhee Choi on The Birth of the YKABs (Young Korean Artists in Britain)!
- Jump - Korean Comic Martial Arts Musical « Modgam’s Weblog on We are not Chinese: Do not miss JUMP!
In shops now
-
Meta
Article categories
About
Artists
- Bae Bien-u
- Baek Lee-yong
- Baik Hyunjhin
- Bum Lee
- Chang Uc-chin
- Cho Duck-hyun
- Cho, Francesca
- Choe U-ram
- Choi Jeong-hwa
- Choi So-young
- Chung Kyung-ja
- Han, Debbie
- Hong Ji-yeun
- Hong Kyoung-tack
- Jang Seung-eop (Owon)
- Jeon Joon-ho
- June Bum Park
- Jung Chang Mo
- Jung Yeon-doo
- Kim Jin
- Kim Ki-chang
- Kim Kira
- Kim Sora
- Kim Tschang Yeul
- Kim Whanki
- Kwon Dae-hun
- Lee Bul
- Lee Dong-wook
- Lee Hyung-koo
- Lee Min-hyuk
- Lee Sea-hyun
- Lee Ufan
- Lim Taek
- Na Hye-seok
- Nam June Paik
- Osang Gwon
- Park Hyun-jung
- Park Saeng-kwang
- Park Seo-bo
- Park Soo-keun
- Park Young-sook
- Roe Kyung-jo
- Seunghee Kang
- Shin Dong-won
- Shin Mee-kyung
- Son U Yong
- Suejin Chung
- Suh Do-ho
- Suh Se-ok
- U Chi Son
Bands
Books
- Book reviews: Art
- Book reviews: Business & economy
- Book reviews: DPRK
- Book reviews: Film
- Book reviews: Foreign literature
- Book reviews: History
- Book reviews: Literature in Korean
- Book reviews: memoirs
- Book reviews: Music
- Book reviews: other
- Book reviews: Politics
- Book reviews: traditional culture
- Book reviews: Travel
- General book news
Cities
Commercial Galleries
Companies
Directors
DPRK
Events
Exhibitions
- 4482
- Antique Korean Maps
- ARCO 07 Madrid
- Art & Style in November
- Blight and Hope
- DPRK: Artists Art & Culture
- Eo-Ulim
- Give me Shelter
- Good Morning Mr Nam June Paik
- Millennium Dream
- Other exhibitions
- Permanent displays
- Smile of Buddha
- Still Dynamics
- Through the Looking Glass
- Traditional yet Contemporary
- Venice Biennale 2007
Festivals
- Asian Art in London
- Autumn K-Film 2007
- Autumn K-Film 2008
- Bozar 2008
- Chuseok 2007
- Chuseok 2008
- Dano 2007
- Dano 2008
- Edinburgh 2007
- Edinburgh 2008
- Food Festival 2007
- Food Festival 2008
- Kingston 2007
- Kingston 2008
- London Korean Festival 2006
- New Malden Festival 2007
- New Malden Festival 2008
- Thames Festival 2007
Film and TV
- Historical
- Interviews and features
Language & Learning
Leisure & Lifestyle
Lightweight reading
Living abroad
Media
Museums
Music: K-pop
Music: other
News topics
Organisations
People
- Bada
- Bae Doo-na
- Baek Ji-young
- BoA
- Choi Ji-woo
- Ha Ji-won
- Han Chae-young
- Han Go-eun
- Han Ye-seul
- Harisu
- Honey Lee
- Jang Dong-gun
- Jang Yoon-jeong
- Jeon Do-yeon
- Jeon Ji-hyun
- Jung Woo-sung
- Kim Hye-soo
- Kim Soo Hee
- Kim tae-hee
- Kim Yun-jin
- Kwon Sang-woo
- Lee Byung-hun
- Lee Eon-jeong
- Lee Hyolee
- Lee Mi-sook
- Lee Soo-young
- Lee Young-ae
- Lim Hyung-joo
- Moon Geun-young
- Moon So-ri
- Park Hyun-bin
- Rain
- Song Hye-kyo
- Uhm Jung-hwa
Performance arts
Seasonal posts
Style
Travel
Visual Arts
You ask
Tag Archives: Dulsori classes
If anything was going to go wrong, it was going to be the Hwimori. The others were easy: at most four lines, each one the same length, and played once before moving on to the next; and the cycle was repeated several times so that there was no way you were going to forget it. The Hwimori had 31 lines, of different lengths, played any number of times between one and 8 before moving on to the next one. That's a lot more to remember.
We were wobbling by line 4 and completely lost by line 9. With some vigorous conducting and shouting by the professionals we somehow came back together by line 13, and from then on we ...
Dulsori evening class # 4
21-Jul-06
I can touch my toes for the first time in ages. Such is the effect of sitting on the floor crouching over a drum for three hours solid, four days on the trot.
Things were going swimmingly yesterday. We had all done our homework. We were remembering everything, doing the breathing, and actually laughing and enjoying ourselves rather than concentrating furiously on getting it right. So the instructors decided to make things more interesting. Let's cut the samulnori hwimori, they said, and go straight from the obangjin to the third line of the drum-only hwimori, make a quick change to that line, and, hey, didn't we tell you, there's a whole new page we haven't taught you yet.
We set to it, ...
Dulsori evening class # 3
20-Jul-06
Mainly consolidation yesterday. Lots of breathing (back-rolling) and reminders of the previous couple of evenings. We were struggling with the heat, and recognising this after a couple of recaps of the ground already covered we played some Korean games. This involved running around, making lots of noise, holding hands and making moves straight out of a ceilidh. I'm sure it would make for a good psychotherapy session, and it was a nice in theory to have a break and do a bit of bonding. But in the soaring temperatures - the warmest July day since records began - hands were slippery with moisture. Fortunately we were all equally perspiring, so no-one felt guilty, but lots of close bodily contact was ...
Dulsori evening class # 2
19-Jul-06
Yesterday evening we learnt the backhand. And, in retrospect, as I struggled last night to notate what we learned, we also did triplets.
We were without the interpreter yesterday, so 95% of the class was conducted in Korean. Some of the Korean students took pity on us non-Koreans (we had a new joiner, another Brit, who had chosen to go to the SamulNori gig at the Purcell Room on the Monday and who thought it rather excellent) and tried a bit of translation. So when the instructor demonstrated a massive rallentando in the coda to the Hwimori changdan, several times, and expounded at great length, I imagine, on the subtleties of this slowing down, one of the students helpfully said, "get ...
Dulsori evening class #1
17-Jul-06
I ache.
My brain aches from concentrating too much (maybe I should relax and go with the flow, but that only happens when at least three pints of London Pride have gone down my neck). The insides of my legs ache: in order to play the changgo you need to be at least a black belt in the lotus position. Ridiculously, my left arm aches. It's not as if the stick weighed anything: it's just that you end up moving the arm more than you usually do in daily life. And my back aches through the strange "breathing" we were asked to do, which involves performing strange circular motions with your shoulders and solar plexus, while in said seated position. Most ...


