Anton Bitel introduces the first events in the KCC’s season of screenings for the year. As is to be expected, we start the year online.
And So Again Today: Four short films from the Underground Salon
Presenting short films from two innovative YouTube channels
For our Spring edition of Korean Film Nights, we present short films from two innovative YouTube channels. In the era of Coronavirus we have witnessed the film industry shifting online, and these offerings showcase the rising stars who have continued to draw audiences of thousands to view their imaginative, dramatic and artistic works.
And So Again Today is the collective title for a compilation of four Korean short films, all directed by actors, and all posted on the YouTube channel Salon De 0.5 F (Underground Salon) in 2020. In a sense those are the only formal connections between the films but, perhaps in reflection of the filmmakers’ ages, they are also linked thematically by a preoccupation with the surrender to (or retreat from) adulthood.
My Wife has gained weight, Ryu Deok-hwan
In Ryu Deok-hwan’s My Wife has gained weight, after a husband (Kim Tae-hun) carefully observes his wife (Jang Young-nam) after she expresses anxiety over how much weight she is putting on, he diagnoses her ‘problem’ as being mostly the effects of maternal devotion and finds a way to share the burden of both her dutiful eating and her new exercise regime. It is a tender portrait of a couple attentive to their family’s needs, and together accepting, even embracing, the changes that come with parenthood and middle age.
Watch My Wife has gained weight here
My Eggs, Kim Soy
Kim Soy’s My Eggs begins with its filmmaking protagonist Sujin (played by the director herself) being reminded how close her screenplays are to her life, and then follows her reluctant journey, at the insistence of her mother (Ahn Min-yeong), to get her ova frozen, even though she does not want children of her own. It is a playful tale of an eccentric woman made aware that her biological clock is ticking, and struggling to live her own life despite the expectations of others. Sujin’s confidante is her own egg (voiced by Lee Min-ji), which talks to her from within her ovary – but Sujin’s real children are indie films just like My Eggs, even as it is strongly implied that this script too is autobiographical.
Director Kim Soy will be joining us for an online talk in 1 April.
Season of the Next Steps, Heo Joon-seok
There ought to be little in common between Ryoo Seung-wan’s ultraviolent action film The City of Violence (2006) and Heo Joon-seok’s gentle short The Season of the Next Step, but in fact both begin with a premise lifted straight out of Lawrence Kasdan’s The Big Chill (1983): old friends reunite in adulthood after one of them has died. In Heo’s film, disgruntled office worker Kuk-hee (Kim Kuk-hee) returns from the city to her former country town for a funeral. There she learns that, unlike herself, her old bandmates Sa-bong (Yoon Sa-bong) and Jae-yoon (Yoon Je-yoon) have clung to their rebellious countercultural ways, and that perhaps she too could do with rediscovering the spirit of her lost childhood.
Watch Season of the Next Steps here
Do you like camping?, Kim Kkobbi
My personal favourite of the four is Kim Kkobbi’s Do you like camping? (aka Aimez-vous camping), in which a motorcyclist (played by Kim), camping by the windy sea, spurns a hipsterish male fellow camper’s attentions while herself fixating on a female camper (Yozoh) who is more her speed. As everyone vies to have – and to be seen having – an authentic camping experience, posturing pretensions are exposed to the elements. Wryly observed, and never quite going where expected, this is an off- season, off-kilter delight, subverting everything including its own gestures towards romance.
Director Kim Kkobbi will be joining us for an online talk in 1 April.
Watch Do you like camping? here
LKFF and KCCUK will be hosting an online talk with Underground Salon directors Kim Soy and Kim Kkobbi in 1 April. Register here
Anton Bitel is a part-time Classicist and freelance film critic, contributing regularly to (among others) Sight & Sound, Little White Lies and VODzilla.co. He is a programmer for the London Korean Film Festival.
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