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The Picture Bride

Translated by:
Publisher: , 2022
Original title: 알로하, 나의 엄마들, 2020
Link to online store *

“Your husband is a landowner,” they told her.

“Food and clothing is so plentiful, it grows on trees.”

“You will be able to go to school.”

Of the three lies the matchmaker told Willow before she left home as a picture bride in 1918, the third hurt the most. Never one to be deterred, Willow does all that she can to make the best of her unexpected circumstance. But it isn’t long before her dreams for this new life are shattered, first by a husband who never wanted to marry her in the first place, and then by the escalation of the Korean independence movements, unified in goal, but divergent in action, which threaten to split the Hawaiian Korean community and divide Willow’s family and friends.

Braving the rough waters of these tumultuous years, Willow forges ahead, creating new dreams through her own blood, sweat, and tears; working tirelessly toward a better life for her family and loved ones.

“Lee Geum-yi has a gift for taking little-known embers of history and transforming them into moving, compelling, and uplifting stories. The Picture Bride is the ultimate story of the power of friendship—a must read!” —Heather Morris, #1 New York Times bestselling author

“A beautiful testimony to those women bold and determined enough to leave behind all that was familiar, seeking a better life.” —Lisa Wingate, #1 New York Times bestselling author

Source: publisher’s website

An upmarket commercial novel about three Korean women in 1910 who are mail-order brides (“picture brides”) to Korean laborers in Hawaii. They escape their lives of oppression dreaming of better circumstances in America, but things in Hawaii don’t quite turn out the way they expect. It has a really great plot and voice, the descriptions of immigrant life in Hawaii in the early 20th century are so vivid, and I think you’ll REALLY like these three women, they’re kind of fabulous. It strongly reminded me of Marilyn and Me, although set three decades earlier, a similar narrative of strong female characters grappling with social change.

The main character of Aloha, My Mothers is an 18-year-old girl name Willow who lives in a small village in Gimhae, Gyeongsang Province during the Japanese occupation. Because Willow’s father, who was a soldier in the Righteous Army, died fighting the Japanese Empire, her mother has had to raise Willow and her younger brother by herself. Despite being a yangban (aristocrats of the Joseon dynasty), Willow is unable to go to school or study like her brother because she is a girl. Then one day, a matchmaker comes with an offer for marriage. The marriage proposal, however, is for a picture marriage: a type of marriage that existed during the Japanese occupation in which Korean women were sent to Hawaii after only exchanging pictures with Korean men who immigrated there for work. Women in their teens and twenties who were married off under such circumstances were called “picture brides.”

Willow, Hong-ju, and Song-hwa are the names of the three picture brides of this story—women who stood in line at the immigration office, planning on immigrating to Hawaii in hopes of a better life. But different fates await each of these three women, who bravely crossed the Pacific Ocean, leaving behind their home and their parents in search of a better life. Hong-ju, who dreams of a marriage of “natural love,” meets a man who looks twenty years older than his picture; Song-hwa, who wants to escape from her life of ridicule as the granddaughter of a shaman, meets a lazy drunkard. And then there’s Willow, whose 26-year-old groom, Taewan, looks just as he did in his picture.

But the excitement of coming to a faraway foreign land and marrying a new person is short-lived. Taewan, who still has feelings for his first love, is unable to open up to Willow. Then, Willow’s friend Hong-ju, whom with together Willow travelled to Hawaii from their hometown, leaves Willow for a different region of Hawaii. Worse yet, not only is Willow severely discriminated against by the White managers of the sugarcane field, she is also treated poorly by Japanese immigrants because she is from Joseon, a colony of the Japanese Empire. And just like that, Willow, who had hopes of studying in Hawaii and sending money back to Korea, is met with the hard reality of life as an immigrant.

Even after putting down this book, readers’ ears will continue to ring with the voices of three women who loved, stuck together, and put down roots in a foreign land.

Source: Barbara J Zitwer Agency website

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