It’s amazing what you can do with a bit of glue

The KCC’s exhibition in collaboration with the Gwangju Museum of Art, Circulation Metaphor, closed today in preparation for the installation of the KCC’s next show, The Real DMZ. Regular visitors to the KCC during the course of the exhibition will have noticed an unfortunate accident that happened to the ceramic installation that greeted you when […]

Exhibition visit: Circulation Metaphor, at the KCC

There’s a little bit of Jeollanamdo in the KCC at the moment. Although the exhibition is co-organised by the Asia Cultural Center in Gwangju, and by the Gwangju Museum of Art, the subject matter of the exhibition strays outside of the city limits into Damyang, Hwasun and further afield. The first work to engage you […]

Nayeong Jeong: Repeat after “The End of the World”

Nayeong Jeong celebrated the successful completion of her Slade PhD viva the day before with a performance at the opening of the group exhibition “A Dance of Scales”, at Assembly Point in Peckham. Jeong’s work often involves a performative element, and also often involves the use of clay not only as a creative medium but […]

Kingston School of Art and Royal School of Needlework collaborate with Hanbok Advancement Centre

The first stage of an innovative collaboration between the Hanbok Advancement Centre, Kingston School of Art and the Royal School of Needlework had its first public exhibition last week at Kingston University’s Stanley Picker Gallery. The collaboration was the brainchild of Justina Jang, who through Korean British Cultural Exchange shares Korean culture with London and […]

Byungchan Kim is runner-up in HIX Award 2018

Quite by chance last week I happened to be visiting the offices of one of the sponsors of the HIX Award – though I didn’t know this connection in advance. The HIX Award is open to current art students and graduates of the last two years and is aimed at helping with the transition between […]

Exhibition visit: Nick Bonner’s Made in North Korea

When one thinks of North Korean graphic art, images of strident anti-American propaganda posters spring to mind. Fortunately, and in the current climate of reduced tension on the peninsula, the posters that greeted you in the first room of Nick Bonner’s exhibition at the House of Illustration focused less on stirring up national hatred against […]

8 more reasons to visit Lee Bul: Crashing

Lee Bul’s fabulous show at the Hayward Gallery closes this weekend. If you haven’t seen it yet, here are eight more reasons why you should. 1. Park Chung-hee naked OK, a rather sensationalist opener, and not something I ever expected to find myself writing, but yes: suspended from the ceiling are two naked effigies of […]

Exhibition visit: Lee Bul – Crashing. Pt 2 – Scale of Tongue

The most eye-catching work in Lee Bul’s Hayward Gallery exhibition is the giant inflatable zeppelin, its grid of rectangular silver panels echoing the grid of skylights in the Hayward’s newly refurbished upper floor. The work, entitled Willing to be Vulnerable, memorialises the Hindenburg disaster in 1937, when the giant airship, representing a possible future of […]