London Korean Film Festival 2019: the official press release

Here is today’s official press release that announces the line-up for the 2019 London Korean Film Festival: The London Korean Film Festival (LKFF) has launched its full programme of films and events for the upcoming 14th edition, taking place from 1st-14th November in London before embarking on the annual tour 18th-24th November. The Special Focus, […]

A new year gift from the Korean Film Archive

Those nice people at the Korean Film Archive have given us a new year gift, in the form of twenty-one English subtitled classic movies newly uploaded to their YouTube channel. At least two of these have been available on subtitled DVD before (Come, Come, Come Upward and Gingko Bed) but I’m assuming these are new, […]

Lee Man-hee’s Homebound at the KCC

Not a very cheery film for the latest in the Women on Screen series, but Lee Man-hee is one of the greats. Lee Man-hee: Homebound (귀로, 1967) Screening: 20 June at the KCC, 7pm Runtime: 91 mins Paralyzed from the waist down due to injuries from fighting in the Korean War, Coe is sexually disabled. […]

Mark Morris on Lee Man-hee and the flowering of Korean film in the 1960s

Everybody in Britain has heard of Samsung computers or Hyundai cars. However, another aspect of South Korea today is its successful export of films, music and TV dramas to neighbouring countries, known as ‘Korean Wave’ or ‘Hallyu’. In order to get a Western perspective on Korean cinema, I visited the Korean Cultural Centre in London […]

1970s: the missing decade in Korean film?

Newcomers to Korean film can sometimes get the impression that Korean cinema started with Shiri. Indeed, one contributor to the recent Korean Film Blogathon claimed “Korea’s cinema was virtually non-existing until the new millennium”. Not a sentiment with which I strongly agree. While the last decade has certainly seen more than its fair share of […]