I had looked forward to the first movie in the KCC’s Korean Novels on Screen series – Kim Ki-young’s adaptation of Yi Kwang-su’s The Soil – and had been disappointed. Conversely, not being a particular fan of Yu Hyun-mok’s depressing movies, I was regarding the second in the series – his adaptation of Hwang Sun-won’s 1954 […]
The second in the KCC’s season of book adaptations is Yu Hyun-mok’s version of Hwang Sun-won’s The Descendants of Cain. LKL reviews the novel here. Yu Hyun-mok: The Descendants of Cain (카인의 후예, 1968) Cast: Kim Jin-kyu, Moon Hee, Park No-sik, Jang Dong-hwi KCCUK, 12 April 2018, 7:00 pm Free admission | register on EventBrite […]
Those nice people at the Korean Film Archive have given us a new year gift, in the form of twenty-one English subtitled classic movies newly uploaded to their YouTube channel. At least two of these have been available on subtitled DVD before (Come, Come, Come Upward and Gingko Bed) but I’m assuming these are new, […]
Having failed to make much headway with Park Kyung-ni’s T’oji / Land, I thought I might give her Curse of Kim’s Daughters a try, in preparation for a re-watch of Yu Hyun-mok’s film adaptation of the novel. I didn’t particularly enjoy the movie the first time I saw it. But then, so far I haven’t […]
April is the month of the London Book Fair (14-16 April at Olympia). Last year Korea was the market focus, an honour assumed by Mexico this year. But the Korea Publishers Association, LTI Korea and other bodies will be attending to fly the flag for Korea. To remind us of the fun we had last […]
The number of Korea-related publications in the Penguin Classics list can probably be counted on the fingers of one hand, and most are by ancient Confucian sages. The publisher’s blurb below says that if you like Lee Changrae’s The Surrendered you’ll like this: Richard E Kim’s The Martyred. Lee didn’t do a good sales job […]
When asked to look back at his career, Yu Hyun-mok, one of the four greatest directors from the golden age of Korean film, said that he was proud of two achievements: That he was always an innovator; That he never filmed a melodramatic love story. In the latter achievement lies the key to Yu, as […]
Two classic films from Korean cinema’s golden age provided a fascinating compare-and-contrast exercise last Monday night at the Barbican.