An historic album made by a hitherto unknown Korean popular music singer from the colonial period is literally unearthed in a modern-day construction site. Miraculously, although the LP is damaged, audio engineers can restore the sound to something like the original, for broadcast on a golden oldies radio show. But who is the singer, and … [Read More]
People: Chun Woo-hee
Review roundup: Korean films at the 2019 BFI London filmfest
I was particularly looking forward to the Korean screenings in the London Film Festival this year. Both LEAFF and LKFF in prior years have been championing the talent among Korea’s female directors and the trend has now spread to the BFI programme: of this year’s BFI festival, four out of the five Korean movies were … [Read More]
One Day (어느날, 2017) review: a nuanced and affecting study of grief and abandonment
With One Day, director Lee Yoon-ki uses his almost trademark ability of showing characters’ innermost thoughts and emotions within outwardly simple stories to create an intelligent, nuanced and genuinely affecting tearjerker that deftly discusses abandonment, both perceived and actual. Understated performances and minimal special effects complement this classic melodrama. [Read More]
BFI Festival Film Review: Na Hong-jin’s The Wailing
The Wailing is a punishing, relentlessly tense horror thriller that thrives on ambiguity and sensory overload. Na Hong-jin toys with belief, suspicion and endurance, delivering a prolonged roller-coaster of dread, brutal set pieces and exhausting climaxes that leave viewers shaken, uncertain and deeply unsettled. [Read More]
The Wailing (곡성, 2016) review: a relentless descent into fear and paranoia
The Wailing takes director Na Hong-jin’s almost trademark intricate, pulse-pounding narrative intensity and ramps it up yet further with palpable character fear, paranoia and desperation. Thriller by name, utterly thrilling in nature, this darkly violent, three-pronged horror ‘whodunit’ is a worthy successor to The Chaser and The Yellow Sea. [Read More]
Han Gong-ju (한공주, 2013) review: a heartbreaking critique of societal apathy
While centred on the victimisation and abuse of a schoolgirl and featuring a number of elements often seen in school-based narratives, ‘Han Gong-ju’ has far more in common with insightful dramas dissecting societal attitudes, persecutions, misperceptions and assumptions. Exemplary in realisation, there is a great deal more to ‘Han Gong-ju’ than its school-centric setting might imply. [Read More]
Festival Film reviews: we also went to…
We’ve almost finished clearing the London Korean Film Festival backlog, the only major review outstanding now being Park Chan-kyong’s fascinating documentary Manshin. While I’m polishing that, here are a few brief reviews of the films I didn’t feel moved to write dedicated articles about. Han Gong-ju A heavy and depressing story redeemed by the sensitive … [Read More]