Exhibition news: Christine Sun Kim — Rustle Tustle, at Carroll / Fletcher

News of a London exhibition by Christine Sun Kim, born in California to Korean parents and now based in New York and Berlin.

Christine Sun Kim: Rustle Tustle

CARROLL / FLETCHER
56 – 57 Eastcastle St | London W1W 8EQ | 020 7323 6111 | www.carrollfletcher.com
27 November 2015 – 30 January 2016
Private View: Thursday 26 November, 6 – 8pm
7.30 pm: face opera: thumbs up, a performance by Christine Sun Kim

Christine Sun Kim
The enchanting power of sign language, a TED talk by Christine Sun Kim, 2015, photo by Ryan Lash

Being deaf in a world of sound is like living in a foreign country blindly following the cultural rules, customs, and behaviours without ever questioning them … Sound is almost like money and power. It’s so powerful that it could either disempower me and my art, or empower me.

I chose to be empowered.

– Christine Sun Kim

Christine Sun Kim will make her debut in the UK with an ambitious exhibition probing the social and political realities ingrained in the use of voices – hers as well as others’. In Rustle Tustle, the Berlin-based artist, who was born deaf, invites viewers to expand their understanding of what sound is and can be, undermining the all-prevailing “sound etiquette” set by hearing culture.

Kim has dedicated her practice to the investigation of sound and spoken languages through a variety of media: drawing, performance, video, and installation. One of her strategies is to borrow and guide other voices to expand her own. She also choreographs non-vocal forms of communication, for instance conducting a group of people to “sing” with facial movements as in Face Opera (first performed at the Calder Foundation in 2013, and a new British Sign Language (BSL) version performed at Carroll / Fletcher during the exhibition private view). In the course of developing a language useful and relevant to her, Kim has also turned to elements from several information systems such as graphic and musical notation as well as American Sign Language (ASL). Reinvented in Kim’s work, they explore sound’s material possibilities, challenging in the process the ownership of sound, the exclusive prestige attached to a traditional voice – and its corollary, namely, the social isolation of those deprived of it.

This exhibition presents a new series of drawings exploring the links between ASL and music, as well as an interactive, walkable installation Game of Skill 1.0 (2015) and Close Readings (2015), the artist’s first video work. Game of Skill 1.0 teaches gallery visitors a new way of listening. Velcro strips trace a path around the gallery, and visitors are invited to hold up a custom-built device that, when brushed against the Velcro, emits a sound relative to the participant’s movement. Through manipulating the device, it is possible to hear a text written by Kim about her experience of borrowing the voice of an interpreter in order to communicate verbally. Learning to manipulate the device and piece together the text can be a laborious process, one that takes time and effort to perfect. As visitors become moving instruments – or in the artist’s words ‘human turntable needles’ – the listening process is made unfamiliar and must be re-learnt. For signing audiences, a BSL version of Game of Skill 1.0 is available at: www.carrollfletcher.com/GOS

For Close Readings, Kim compiled a selection of film clips that resonate with the concept of the voice, and invited four deaf friends to provide sound captions of what they feel could be added to the films. For non-hearing audiences, in much the same way that spoken conversation is mediated by sign language interpreters, the experience of watching a film is largely dependent on the way in which it is captioned. The multidimensionality of sound, or many layered sounds, are often reduced to brief captions. The captioner chooses which sounds to reference and which to leave out. In Close Readings, the sound captions range from literal to conceptual, imagined or even poetic.

Christine Sun Kim (b.1980, Orange County, California) holds an MFA from New York’s School of Visual Arts and an MFA in Music and Sound from Bard College. She currently lives and works between New York and Berlin. Her recent exhibitions and performances include Bounce House, Sound Live Tokyo, Japan; Greater New York, MOMA PS1, USA; Silence, with Chelsea Knight, New Museum, New York, USA; Almost A Score, Arnolfini Centre for Contemporary Art, Bristol, UK (all 2015); and Soundings: A Contemporary Score, MoMA, New York, USA (2013). She has been artist-in-residence at the Whitney Museum, Haverford College, Southern Exposure, Arnolfini, and the University of Texas Visual Arts Center. She is currently a TED Fellow. In 2015, she was named a Director’s Fellow at MIT.

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