London Korean Links

Covering things Korean in London and beyond since 2006

Japanese Breakfast UK tour

Date: Saturday 28 June - Thursday 3 July 2025
Venue:
Brixton Academy | 211 Stockwell Road | London SW9 9SL | | [Map]

Tickets: London: from £40 | Get tickets via Japanese Breakfast website
Tour dates and venues:
  • June 28: Glastonbury Festival (sold out)
  • June 29: Manchester Academy
  • June 30: Barrowland Ballroom, Glasgow
  • July 1: O2 Academy Bristol
  • July 3: O2 Academy Brixton
For Melancholy Brunettes (& sad women) - Japanese Breakfast

American indie-pop band Japanese Breakfast, fronted by Korean American author singer and songwriter Michelle Zauner (Crying in H Mart) embark on tour for their fourth album For Melancholy Brunettes.

They are supported by Minhwi Lee, is a South Korean contemporary folk singer-songwriter and composer.

After a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast’s fourth album, For Melancholy Brunettes (& sad women), marks the band’s first proper studio release. Produced by Grammy Award winner Blake Mills — an innovator of uncommon subtlety, known for his work with everyone from Bob Dylan to Fiona Apple and quietly regarded as many a legacy artist’s favorite guitar player — and tracked at the venerable Sound City in Los Angeles — birthplace of After The Gold Rush, Fleetwood Mac and Nevermind among other classics — the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined its predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.

For Melancholy Brunettes follows a transformative period in Zauner’s life during which her 2xGRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions.

Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. “I felt seduced by getting what I always wanted,” she says. “I was flying too close to the sun, and I realized if I kept going I was going to die.”