Under Construction, a solo exhibition by Geumhyung Jeong (b. 1980, Seoul) features a newly commissioned installation of sculpture and video, and series of live performances. Working from her background in choreography and a studied interest in the role of objects and technology in our lives, Jeong uses her body and animatronic figures built from DIY parts to parse the uncanny relationships between people and machines.
In her past work, Jeong has animated self-constructed remote-controlled robots using mechanical and tech hardware tools and spare mannequin parts and medical dummies. With this new exhibition in the ICA’s lower galleries, Jeong expands her ongoing project, Under Construction, incorporating complete human skeleton models as a central component of the work.
Jeong constructs, cares for, and communicates with these homemade robot partners through an intimate dialogue of gestures and choreographed movements, evidenced in in-person performances and video installation. Under Construction will explore the link between humans and machines through autonomous sculptures, in-process constructions, and videos that both document actions between Jeong and the skeleton-machines, and the artist’s tender creation and maintenance of the work. The sculptures – more co-performer than object – act in a clumsy, unreliable and human-like manner, soliciting an ambiguous empathy from the viewer.
Jeong’s installation offers a proposal for the active life of sculpture in a public institution. The artist will perform in-person with her figural machines (dates to be announced soon), reimagining and shifting the installation. Jeong’s work shares a valuable history with kinetic and interactive sculpture since the 1960s, while being firmly rooted in the present and a specific context of technology in late-stage capitalism, which the artist approaches from the perspective afforded by an adolescence spent in Seoul during the steep rise in consumerism in South Korea.
This tender yet uncomfortable work represents a nuanced investigation of global techno-capitalism, addressing human relationships with our technological counterparts through care and mutual exchange. Jeong addresses this fundamental component of human society in a way only sculpture can – by addressing the physical relationships in space that underline our connection to objects as active agents.
About the artist
Geumhyung Jeong (b. 1980 in Seoul, South Korea) lives and works in Seoul, South Korea. Jeong has participated in performing arts festivals internationally and her solo exhibitions in international contemporary art institutions include: Upgrade in Progress, FMAV Fondazione Modena Arti Visive, Modena (2020); Homemade RC Toy, Kunsthalle Basel, Basel (2019); Private Collection: Unperformed Objects, Delfina Foundation, London (2017); Tate Live: Geumhyung Jeong, Tate Modern, London (2017); Private Collection, Atelier Hermès, Seoul (2016).
She has also participated in numerous group exhibitions including: The Milk of Dreams, The 59th International Art Exhibition of La Biennale di Venezia, Venice (2022); Copenhagen – Red Light Green Light (In the Realm of the Senses), Kunsthal Charlottenborg, Copenhagen (2022); Immortality, The 5th Ural Industrial Biennial of Contemporary Art, Ekaterinburg (2019); APT9 The 9th Asia Pacific Triennial, Brisbane (2018); ANTI, AB6 The 6th Athens Biennale, Athens(2018); The Public Body 02, Artspace, Sydney (2017); The Promise of Total Automation, Kunsthalle Wien, Vienna (2016); Surround Audience: New Museum Triennial 2015, New Museum, New York (2015); The Beast and the Sovereign, MACBA Museu d’Art Contemporani de Barcelona, Barcelona (2015); East Asia Feminism: FANTasia, Seoul Museum of Art, Seoul (2015); Gesture, WKV Württembergischer Kunstverein, Stuttgart (2014); Burning Down the House, The 10th Gwangju Biennale, Gwangju (2014).
In 2016 Jeong was the winner of the Hermès Foundation Missulsang Award and in 2014 of Zürcher Theater Spektakel Kantonalbank Acknowledgment Prize. In 2009 she won the Excellence Award for Alternative Vision at the Seoul New Media Art Festival and in 2007 Dokkebi Award at the Chuncheon International Mime Festival.