Jang Yoon-jeong

In the third of five retrospective articles, we recall some of the entertainment stories that caught our eye in 2013. Korean box office records were broken in 2013. Korean films accounted for 59.5 percent of box office takings, with the feel-good drama Miracle in Cell 7 gaining 12.8 million admissions. The big new band to […]

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Looking back at 2013: the Register – anniversaries, marriages, deaths

by Philip Gowman 1 February 2014
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In the first of five articles, we look back over some of the milestones of 2013. Here we list some of the significant anniversaries, marriages and deaths. The Donguibogam was published 400 years ago. The Korean War armistice was signed 60 years ago The Marmot’s Hole started 10 years ago Marriages Footballer Ki Sung-yueng, to […]

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Trot music as propaganda against the North

by Philip Gowman 30 December 2010
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Six months ago it was girl bands. Now Trot music is supposed to be S.Korea’s best propaganda weapon against the North http://bit.ly/gsmfZf # “Pop music can be a powerful psychological weapon targeting the oppressed in the North. We should immediately resume tannoy broadcasts in response to the North’s recent provocations,” declared a South Korean lawmaker. […]

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According to Gallup, my favourite singer should be Jang Yoon Jeong

by Philip Gowman 8 January 2009
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A summary of a recent poll about Korea’s favourite musicians. Youngsters prefer the Wonder Girls, oldsters like the Trot singers.

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Jang Yoon Jung – first album

by Philip Gowman 14 November 2007
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(Sony Music, October 2004) Jang Yoon Jung was the first of the younger generation stars to experiment with Trot. Brought out in late 2004, her first album was a hit with older and younger buyers alike, and encouraged other Trot revivalists to have a go. Those who came after were somehow less successful, let down […]

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Trot makes a comeback

by Philip Gowman 21 February 2007

To be perfectly accurate, I don’t think Trot ever really went away. Rather, like many trends in popular culture, its fanbase was getting older and there would come a point when no-one was listening to it any more. But when Trot compilations are selling millions through street vendors (see chapter 7 of Keith Howard’s book), […]

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