What can one say about Crying Nut? Anarchic, mad, joyous. They opened the 2006 London Korean Festival last night in great style. While most of the audience was Korean, it was good to see some unaccompanied westerners at the gig, who seemed to be enjoying the show. Maybe they were there to support the backup … [Read More]
Category: Event reports and reviews (page 53)
Review: RPO Korea Fantasy, 1 May 2006
This year we celebrate the 250th birthday of Mozart, the 100th of Shostakovich, and less known, the 100th of Ahn Eak-tae (right, picture from the Chosun Ilbo), Korea’s best-known 20th century composer in the Western classical tradition. Probably his most famous work is the Korea Fantasy, a 25-30 minute work for chorus and orchestra, from … [Read More]
Coming Soon
It’s going to take me a while to digest yesterday’s concert in the Fairfield Hall, but it’s going to get a thumbs up. In the meanwhile, I share with you a snapshot (apologies for the poor quality – it was taken, Korean-style, with a mobile phone) of Lee Soo-young, Kim Young-im and Joo Hyung-ki leading … [Read More]
Theatre visit: Eun Me Ahn’s Chunhyang – an impossible love
I’m afraid I lack the critical faculties to describe the evening adequately, but it’s well worth going to and I think I might be going back to see it again tomorrow. It’s two nights only. I went along with an avowed non dance fan and someone who was hoping for something very traditional, and both … [Read More]
A Scent of Eastern wind: music at St James’s Piccadilly
At very short notice I head of a Korean classical music fusion concert entitled “Scent of Eastern Wind” at St James’s Piccadilly on 6 April 2006. I approached the concert with some trepidation, being nervous about the blending of eastern and western instruments, particularly in playing western music. I was partly right. The least successful … [Read More]
What a difference a region makes
East Asian popular culture currents and counter-currents, Birkbeck College, 17/18 March 2006 Thanks to Chris Berry (Goldsmiths) and Nicola Liscutin (Birkbeck) for putting together a stimulating day and a half symposium discussing regional popular culture in East Asia. Presentations mainly covered the creative industries in Japan, Korea and Taiwan. The focus on Taiwan was puzzling, … [Read More]
Exploring Korean Music Old and New – Tradition and creativity
SOAS, 24 February 2006 Many thanks to Dr Keith Howard of SOAS for putting together a fascinating half-day colloquium on Korean music. Presentations were as follows: Simon Mills’s (SOAS) subject was the rhythmic drum patterns (Changdan) used in shamanistic ritual on the East coast of Korea. He focused on the startling digressions (Tokkaebbi changdan) which … [Read More]
Theatre visit: Ye-Gam Inc – Jump
A highly entertaining mix of slapstick, gymnastics and martial arts. The first half lacked structure, though it served to introduce the different characters in the “family”. Valiant members of the audience were also dragged up on stage. The second half was much more fun, with a comic story-line to hold things together. Knowing references were … [Read More]
Conference report: Hallyuwood — Korean Screen Culture Goes Global
I was unable to attend the conference, and I am grateful to Prof Hu Puzhong for this report: The symposium has witnessed a relatively blissful atmosphere probably because the Korean wave and its cultural representation in screen production seem to have become an alternative in a world dominated by the hegemony of Hollywood. Academics from … [Read More]
Conference report: the Korean film industry examined
Notes from the industry conference held in the Screening Room at the Charlotte Street Hotel, 10 May 2005, 3pm – 6pm. One of the sideshows of the 2005 London Korean Film Festival was a get-together of industry representatives, academics and observers who made observations on current trends in the Korean film industry and the reception … [Read More]
The Last Empress: spectacular but unsatisfying
The Last Empress is an original Korean musical in the style of a traditional Broadway production, and is based on the life story of Queen Min, the last Empress of the Joseon Dynasty, who was murdered by Japanese assassins in 1895. Undoubtedly patriotic in its theme, it capitalises on the popularity of the musical in … [Read More]