2013 Travel Diary #11: Mother Mago, the Goddess of Jirisan

by Philip Gowman on 8 September, 2013

in Gyeongsangnam-do, Myths and legends, Travel diaries

The statue of Mago near Yaksu-sa temple

The statue of Mago near Yaksu-sa temple just outside Jungsan-ri, Jirisan

Jungsan-ri, Sancheong-gun, Sunday 8 September, 10:30am. It is pleasant to sit down in a comfortable seat in the cool environment of an air-conditioned car. After the hot, humid exertions on the mountain I am happy just to sit in the passenger seat not wanting any particular destination. But just outside Jungsan-ri we turn into a narrow side road. “Would you like to see the statue of Mago?” Mr Yoon had asked. Mago is a legendary earth-mother, a semi-divine grandmother who features in Korean myths. In Jeju legend she is known as Solmundae and is associated with Jeju’s highest peak, the extinct volcano Hallasan. In the Jirisan range, home to countless legends and even more spirits, she has many names: there are tales of the Holy Mother of Jirisan, of Mother Mago, of Seondo Seongmo, and also of Mother Nogo. Whether they are all the same character or different ones does not matter: we do not require our folklore to be fully logical or consistent. What matters are the stories themselves.1

One of these tales has Park Hyeokgeose, one of the legendary founders of the Silla Dynasty, paying homage in the Jirisan area to a statue in memory of his deceased mother called Holy Mother Seondo, upholding her as a guardian goddess of the country. Another record says that Queen Wisuk, the mother of Wang Geon, who founded the Goryeo Dynasty, was venerated as a mountain deity in the Jirisan range. Among Buddhists, it is said that the statue of Lady Maya, the mother of Buddha, was kept in Jirisan as a mountain deity, while shaman believers say that the statue is that of a daughter of the Heavenly Deity. It is this shamanistic version of the legend that you find on tourism-focused websites. The tale runs roughly as follows:

Mother Mago, the daughter of the Sky God, had made her home on Cheongwangbong. One day she met a sage called Banya, who was studying Buddhist doctrines among the peaks of Jirisan. They fell in love and got married, living happily on Cheonwangbong for many years and bringing up eight daughters. After a while Banya left his family in search of deeper enlightenment. He went into an extended retreat on Jirisan’s second highest peak (now known as Banyabong), and still had not returned when Mother Mago’s hair had all turned grey. While he was seeking enlightenment, Mother Mago made clothes for him out of tree bark to comfort herself in her loneliness.2 As her daughters came of age, Mother Mago sent each of them to a different province of Korea, and waited alone for her husband to return home. Finally, fed up with waiting, she ends up tearing to shreds the clothes she had made for her husband and passes away soon after, becoming a stone statue.

Wind orchids in Osaka Prefectural Flower Garden (photo: Kenpei / Wikipedia)

Wind orchids in Osaka Prefectural Flower Garden (photo: I, KENPEI [GFDL, CC-BY-SA-3.0 or CC BY-SA 2.5-2.0-1.0], via Wikimedia Commons)

It is said that the shredded clothes flew on the breeze to Banyabong where they became the wind orchids that grow on the peak today. The eight daughters of Mother Mago became the ancestors of the shamans of Korea’s eight provinces. It is also said that the reason Banyabong is often shrouded by clouds and fog is that the heavens are providing a modesty curtain for Banya and Mago to meet, even after their deaths, because they could not spend time together when they were alive. The ascending atmospheric currents from the valley turns into a sea of clouds surrounding Banyabong Peak, like an ancient ink-and-wash painting.

Clouds on Banyabong peak

Clouds on Banyabong peak (source: Gurye County website)

Mago’s stone statue had stood near Cheongwangbong peak for many centuries, enjoying the devotions of travellers and monks who passed by. Then, in 1972, a bunch of fundamentalists,3 unmoved by the legends and offended by the existence of this idol, hurled it into a ravine, badly damaging it. Fifteen years later a Buddhist priest named Hyebeop repaired it, and the statue now rests at the foot of Jirisan just outside Jungsan-ri. Every year on 7 March in the lunar calendar, people hold a rite to pay homage to the deity associated with the stone image. And perhaps each person at the ceremony is honouring her under a different name.

The information board tells the story of Mother Mago

The information board tells the story of Mother Mago

We drive up a narrow lane and leave the car in the front yard of what felt like a down-at-heel temple.4 We walk up a slope (thighs complaining bitterly now) to what looks like a giant temporary greenhouse. We peer in through a door situated one third along one of the side of the construction. Inside, there is the sacred aura of a church. To the left is the altar area, and to the right a large space, the ground covered with temporary wooden flooring, where the congregation would be. Sitting on her own, cross-legged in the centre of the floor, is a pregnant woman quietly meditating, her eyes closed. She is facing the altar area, silently asking for a blessing on the unborn child. In the sanctuary, accompanied with freshly cut flowers, is a small stone statue, roughly carved in granite: Mother Mago.

From the folk tales I had been somehow expecting an image of a rotund, laughing earth-mother, maybe something like a cross between the Michelin man and the jolly green giant – only female. Instead, the statue’s features are simple, austere, stylised, her eyes closed as if she herself is in prayer, like an earthy creation of the artist and sculptor Amedeo Modigliani. In the makeshift shrine there was a feeling of peace and rest. The statue is shaded, but behind her the sun is shining brightly on the rich vegetation of the hillside. In front of her, orchids have been placed as an offering, maybe by the lady meditating.

We leave, each one of us sharing a strange feeling that we have participated in the prayer of the mother-to-be, and even that we have received some of Mago’s blessing on her.

The time is only 11:30, but this is Korea, and food never seems to be far away. We head off for lunch at the same place where we had gone after our abortive hike up towards Cheonwangbong last year. Creamy dongdonju, pyogo mushroom pancake and more. As usual, the dongdongju gives us all a feeling of well-being and brings warmth to the cheeks.

We take Mr Yoon home to his family, though we suspect that after a quick change of clothes he’ll be heading back to the office at the Expo where his media relations team and operations staff will be waiting for him. Meanwhile Kyung-sook and I have some chores in town: a bit of food shopping for our accommodation, and seeing if I can top up my SIM card, which ran out of credit on the way down the mountain. Facing complete failure on the latter point, we head back to our accommodation where we rest.

Dinner is with Sena, Sena’s mother and Mr Min, the Sancheong guide whom I’ve now seen every year for four years. At my request, we are having samgyeopsal from Sancheong’s black pigs, with barbecued prawns for the non meat-eaters. The prawns are still just alive, and I find the sight of them writhing and occasionally leaping as they are pressed down on the barbeque hotplate rather distressing. I’ve never particularly enjoyed barbecued prawns – the method of cooking I find dries them out – and seeing them die in this lingering way takes away my appetite. But turning my attention to the samgyeopsal makes me hungry again. The fat from Sancheong’s black pigs is said to have a higher melting point than that of ordinary pigs. What impact that has on the cooking I’m not sure, but here’s the Sancheong official publicity material:

“Black pigs raised in the clean, unspoiled environment of Sancheong are of the native variety bred in this area for a long time. Pork obtained from these black pigs contains a high amount of non-saturated fat helpful for preventing adult diseases. Highly popular as a well-being food, Sancheong pork has a rich flavour and a delightful texture.”

Encouraged that eating fatty belly of pork can allegedly be a health-giving experience, I eat an indecent amount of the plump meat, forgetting, as I often do, that the carbohydrates will be coming later. I fail to make much of an inroad into the red bean rice which follows. As I try to force it down, I realise that I have been in Sancheong for three days and not really seen anything of the Expo apart from that brief stroll on the Friday morning – which hadn’t involved seeing any of the main exhibits – and a quick guided tour of part of one of the pavilions on the way to dinner that same afternoon. That experience was not going to give me much material for articles when I got home, apart from a sketch of a few ceremonies in honour of a mountain spirit and two dead doctors. My duties as goodwill ambassador, though undocumented, surely involve more than turning up and having a good time there once a year: I need to write about what they do and to promote the attractions of the county, and this involves some hard if pleasurable graft. It also means I learn a bit more each time I visit. I am now due to be in Jeollanmam-do for the next couple of days, leaving at most a day to get around the rest of the Expo when I return, before I head back to Seoul. And some of that time will be spent at the Institute going through their materials. I therefore need to do some careful planning of the priority areas to visit. Back at the chalet, over more Blue Label, we discuss the plans for the following morning.


4-5 Sept Arrival
Introduction | 1 – Leaving London | 2 – Arrival in Sancheong
6 Sept The International Traditional Medicine Expo, day 1
3 – Preparing for the Expo | 4 – Honouring the spirits, feeling the gi | 5 – The official duties
7 Sept Sancheong’s finest potter, and the start of the hike
6 – An editing project is born | 7 – Min Young-ki’s new directions | 8 – Prayers to the Sanshin
8 Sept Jirisan
9 – Sunrise on Cheonwangbong | 10 – Breakfast at Beopgyesa | 11 – Mother Mago, the Goddess of Jirisan
9 Sept Sancheong, Gwangyang and Suncheon
12 – The recreation forest, and getting to know the Expo | 13 – The Sancheong Oriental Medicinal Herb Institute | 14 – Gwangyang and the journey into Jeollanamdo
10 Sept Suncheon International Garden Expo and arrival at Unjusa
15 – The Suncheon Lake Garden | 16 – Hwang Ji-hae’s The Lugworm’s Trail | 17 – Kang Ik-joong’s Bridge of Dreams | 18 – The Korean Garden | 19 – Mosquitoes at Unjusa
11 Sept Unjusa and back to the Sancheong Traditional Medicine Expo
20 – The temple of a thousand pagodas | 21 – Return to Sancheong | 22 – Tiger, Bear and herb: the traditional Korean medicine experience | 23 – The pillow of eternal youth | 24 – Yin, Yang and Ginseng
12 Sept More time at the Traditional Medicine Expo
25 – The Hallyu 4.0 Experience | 26 – The first round of farewells
13 Sept Sancheong and Hongdae in one day
27 – Last day at the Expo | 28 – Clubbing with the CFOs
14 Sept The Galleries and Museums
29 – Korea Artist Prize 2013 | 30 – New Connections | 31 – We are all heroes: Baseball and the Bull at Seoul Museum | 32 – The Seokpajeong: a haven of peace in Buamdong | 33 – An evening in Daehakro
15 Sept The Sajik Daeje
34 – The Gods of Land and Grain | 35 – Renewing old friendships
16 Sept Return to London
36 – The royal perambulation | Thank-yous


  1. The material about Mago and the stone statue is sourced from:


  2. Ramie fabric is made from the inner bark of the ramie plant. []
  3. The Guardian article referenced in the previous footnote attributes the vandalism to Christian fundamentalists. It is however also possible that anti-syncretist Buddhists were responsible, as a number of non-core Buddhist icons were destroyed in the 70s and 80s. []
  4. In fact, there is a small temple there – according to Google maps it is called Yagsusa. []

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