Crossroads of Youth, Korea’s earliest surviving feature-length movie, was a great way to start the season of films from Korea’s colonial period. It is a season that could not have taken place 15 years ago, because these films have only recently come to light in the film archives of Beijing, Moscow and Tokyo. Crossroads of … [Read More]
Category: Film reviews and comment (page 5)
Movie review: E J-Yong – My Brilliant Life
A feelgood Korean drama which the main character has a fatal and incurable disease, and who is writing an account for the benefit of loved ones when he is gone? Been there, done that. Well, not exactly: when the director is E J-Yong and the movie is an adaptation of a Kim Aeran novel, you … [Read More]
Beautiful Vampire (뷰티풀 뱀파이어, 2018) review: visually dreamy urban fantasy needing more weight
Beautiful Vampire initially appears as quirky, warm-hearted and gently funny fantastical entertainment but while the narrative as it stands would likely work well for a short film experiment/pre-feature, there simply isn’t enough story here to adequately hold a full-duration film, even at just 73 minutes. [Read More]
A look back at some of the films of 2018
A wide variety of genres was presented to the London audience this year, from the return of the romantic melodrama (Be With You) to big budget fantasy (Along with the Gods). We also saw #MeToo beginning to have an impact, not just in the themes of movies such as Land of Seonghye and Testimony but … [Read More]
Festival Film Review: The Return
I was as delighted as I was surprised when I saw that the London Korean Film Festival had selected The Return for its closing gala screening. The huge numbers of overseas adoptions from Korea is often a sidelined subject and understandably wouldn’t be a natural choice when showcasing Korean culture and arts. But the 2018 … [Read More]
Festival Film Review: Microhabitat
Miso just about gets by, living in a cockroach-infested room, earning just enough to pay the rent by taking low-paid cleaning jobs. She has to budget carefully, and can just afford a couple of her little indulgences: smoking cigarettes (preferably foreign brands), and frequenting whisky bars for a drop of single malt on the way … [Read More]
Festival mini movie review: Love+Sling
A sporting rom-com involving a love triangle whose vertices are a well-meaning but over controlling single father (Yoo Hae-jin, 1987); his dutiful son (Kim Min-jae) who is obliging his father by training hard in the skill of greco-Roman wrestling; and the pretty girl next door (Lee Sung-kyung), who inconveniently and inexplicably fancies the father rather … [Read More]
Festival film review: This Charming Girl
Lee Yoon-ki (이윤기) This Charming Girl (여자, 정혜, 2004, 99 mins). Review by Robert Cottingham. You know how people talk about reality TV, even though there is nothing ‘real’ about it? Well, if you wanted to see actual reality, the sheer day-to-day mundane-ness of the average person’s life, then this film is the closest you … [Read More]
Mini review round-up: the 2018 LKFF Teaser screenings
Sometimes I just don’t have the time to marshal any thoughts about a movie after seeing it. Daily life takes over any before I know it I’ve watched another movie and the memory of the previous one is dimming fast. But as I’ve been on holiday for a few days away from the daily grind, … [Read More]
Movie review: Comrade Kim goes Flying — Whimsical
The London East Asia Film Festival gives us the second chance this year to see Comrade Kim Goes Flying in the company of two of its directors, Nicholas Bonner and Anja Daelemans. The screening in March was in fact the UK premiere, which came almost six years after its international premiere in Toronto in early September … [Read More]
Seven Years of Night (7년의밤, 2018) review: guilt, inherited sin and uneasy revenge
As a hard-hitting, brutal revenge thriller balanced with emotion and pathos detailing guilt and regret, Seven Years of Night stands up well to scrutiny. However director Choo Chang-min’s decision to repeatedly leave supposedly supernatural elements open to question brings with it a feeling of missed opportunities. [Read More]
The Witch: Part 1 – The Subversion (마녀, 2018) review: slow-burn tension and explosive payoff
The first part of a proposed trilogy of films, The Witch succeeds as not only a character driven drama but also a sci-fi infused high octane action thriller to the extent that viewers can be pretty much guaranteed to await the next instalment in anticipation, in spite of its overuse of dialogue-centred exposition [Read More]
Another World We Are Making: a look at LKFF’s focus on Kim Dong-won
Almost inexplicably, when compared with previous documentary screenings, the KCC’s mini festival of Korean documentaries, spread over two weekends, was over-subscribed, with latecomers for one session needing to sit on the floor. The decision to break out the documentary strand from the main London Korean Film Festival has probably been vindicated, and the strategy of … [Read More]
Psychokinesis (염력, 2018) review: superpowers, family and the shadow of Yongsan
While Psychokinesis initially appears to be a whimsical entry into the superhero genre, director Yeon Sang-ho is equally interested in telling a dramatic tale about family and the struggle of powerless individuals against corporate Korea. However, the film being inspired by the real-life Yongsan tragedy raises the question of where the balance between humour and drama should really lie [Read More]
Movie review double bill: Along with the Gods 1 and 2
Somehow, I managed to miss last year’s fantasy blockbuster Along with the Gods. I didn’t spot that it got a brief UK release until it was too late, and the movie didn’t make to any of the UK festivals to my knowledge. I didn’t even read any reviews. But it registered in my brain as … [Read More]
The DMZ (데스트랩, 2018) review: how to create a gripping action thriller without moving…
With The DMZ, director Oh In-chun has created a highly engaging, even gripping action thriller, but it is his success in bringing ‘cat and mouse’ elements to a narrative wholly centred on one character forced to stand stationary for the vast majority of the running time that is truly deserving of accolades. [Read More]