For those of you who, like me, were unable to make it up to Harrow for the talk on Women in Korean film by Colette Balmain and Paul Quinn on 4 March, Colette has posted a recording of her talk on Korean female directors on Soundcloud, while Paul has uploaded the text of his talk, […]
Category: General film news
BFI, KOFA and KCCUK announce archive exchange
Something to look forward to in February 2019: BFI, KOFA and KCCUK announce archive exchange to mark the centenary of the birth of Korean cinema More than ten of Korea’s oldest surviving films to screen to UK audiences for the first time in February 2019 at BFI Southbank and the KCCUK BFI restorations to show […]
A quiet look at the LKFF’s 2018 programme
The London Korean Film Festival returns for its 13th edition next month with a slightly quieter tone than in some previous years. And there’s nothing wrong with that. It’s as if the organisers are saying that, as the festival enters its teenage years, the audience is becoming grown-up enough not to require a diet of […]
London East Asia Film Festival 2018 programme announced
As in previous years, the London East Asia Film Festival has a strong representation of Korean films. Although this year there is a focus on Taiwan and the Nara International Film Festival, there’s also a focus on the work of actor Kim Yoon-seok, who also features in the opening movie, Dark Figure of Crime. At […]
London Korean Film Festival 2018: press release and detailed schedule
The 2018 London Korean Film Festival programme was announced at last night’s final teaser screening. The press release is set out below, and at the bottom of the page is the detailed schedule: The 13th London Korean Film Festival London: 1 – 14 November 2018 UK tour: 15 – 25 November 2018 LONDON, 17 September […]
Handmaiden nominated for foreign language BAFTA
It’s up against four others including Paul Verhoeven’s Elle, but Park Chan-wook’s Handmaiden has made the shortlist announced yesterday for best feature film not in the English language. The shortlist was determined by an “opt-in chapter” of BAFTA voting members. The winners will be announced on 18 February. Films are only eligible to be entered into […]
A new year gift from the Korean Film Archive
Those nice people at the Korean Film Archive have given us a new year gift, in the form of twenty-one English subtitled classic movies newly uploaded to their YouTube channel. At least two of these have been available on subtitled DVD before (Come, Come, Come Upward and Gingko Bed) but I’m assuming these are new, […]
London East Asia Film Festival 2017: full programme details
Yesterday the London East Asia Film Festival released details of the films it would be showing at its 2017 iteration. Plenty of Korean interest, as you might expect, with a focus on the Bucheon International Fantastic Film Festival (last year, if you remember, they had a Jeonju spotlight). The opening gala screening, Hwang Dong-hyuk’s The […]
London Korean Film Festival 2017: full programme details
Details of the programme for the 2017 London Korean Film Festival were announced earlier this evening at the fun-packed and blood-spattered final teaser screening (Jung Byung-gil’s The Villainess). The detailed schedule is right at the bottom of this page, and the below press release gives us plenty to mull over in terms of the individual […]
Korean films at the 2017 BFI London Film Fest
As far as I can see there are four Korean movies at the 2017 BFI London Film Festival: two very contrasting documentaries; the movie from festival favourite Hong Sang-soo that won Kim Min-hee the Silver Bear for best actress in Berlin this year; and an adaptation of a novel by Kim Young-ha by Won Shin-yeon, […]
Think Korea 2006 – an introduction
Think Korea 2006 was an ambitious programme of cultural and other events organised by the Korean Embassy as part of the “Korea-UK Mutual Visit Year”. There was, I believe, a reciprocal series of UK-related events organised in Korea, but I never saw any publicity about it. One event I do know of: the Royal Philharmonic Orchestra […]
An introduction to the July / August season of films at the KCC
Kim Hong-joon’s My Korean Cinema, which screened as part of the documentary strand of the 2016 London Korean Film Festival, provides the inspiration and structure for the July / August season of films at the KCC, curated by students from the MA Film Programming and Curating course at Birkbeck. They provide the background below: Patchworks […]
Kim Jee-woon’s Age of Shadows gets UK release
The official UK release date for Kim Jee-woon’s colonial era spy thriller is 24 March. The Age of Shadows, released in the UK by Soda Pictures, opened last year’s London East Asia Film Festival. At the time of writing no London screenings have been announced, but the movie will be screened in Sheffield, and earlier previews are […]
Festival report: Park Hong-min Q+A after the screening of “A Fish”
Park Hong-Min was in London yesterday for a 3-D showing of his first film A Fish (2011). He gave a short Q-and-A after the screening. Transcribed by Robert Cottingham. Tony Rayns: I’ll get things going. I take it this film is not based on your own experience? Park Hong-min: Yes, it’s definitely not based on […]
Korean Horror Movies: A Different Perspective — at New Malden Library
LKL friend and sometime contributor Colette Balmain will be presenting on the subject of K-horror next week. Ties in nicely with the female directors strand in the London Korean Film Festival. Korean Horror Movies: A Different Perspective New Malden Library, Kingston Road, New Malden, KT3 3LY 10th November 2016, 19:00 – 20:00 Free (Book in […]
Train to Busan gets UK theatrical release
If you haven’t yet managed to see the zombie thrill fest Train to Busan (LKL review here) you can catch it in UK cinemas from 28 October 2016, courtesy of Studiocanal. More details on their PR’s website.
Another take on Shin Sang-ok
The Korea Times has a nicely-timed memoir of Shin Sang-ok and Choi Eun-hee covering their time in America immediately after their redefection in 1986. At over 4,000 words it’s a meaty article, and well worth the read, in particular touching on Shin’s impossible dream of a film about Genghis Khan. Thanks to Michael Duffy for […]