LKFF 2020 announces its line-up

This is now the 15th edition of the festival organised by KCCUK. As is to be expected, this year is somewhat different, with many of the screenings taking place online. There’s plenty to enjoy in the programme. We’re particularly looking forward to Mark Morris’s selection of Mudang films. Here’s the official press release; we’ll be […]

Korean films at the 2020 BFI London Film Festival (this won’t take long)

The programme for the 64th BFI London Film Festival was announced earlier this week. As one might expect, the format is somewhat different this year. The schedule boasts “over 50 virtual premieres and a selection of highly anticipated new feature film previews … with work from more than 40 countries”. However, despite the diversity of […]

The Korean Film Archive Youtube Channel

Continuing some suggestions of what to do when you’re stuck at home… Many of you will already be aware that the Korean Film Archive has a wonderful YouTube Channel with loads of classic Korean movies, with English subtitles, available for free. Thing is, I’ve never found an index of the channel. So, over the years […]

Bong Joon-ho makes Oscars history

We almost feared that he had jinxed himself with that comment about the Academy Awards being “very local”. The comment, made in an interview with Vulture in October 2019, was made in the context that it’s “not a big deal” that a Korean movie had yet to be nominated for an Oscar (the nominations for […]

Recently published books on Korean film

Having done my list of upcoming fiction titles, I’ve been working on a similar list of upcoming non-fiction. But in compiling the non-fiction list I’ve identified several titles that slipped under the radar towards the end of last year. Three of them relate to film. No doubt, following all the buzz about Parasite, there will […]

Kim Un-su interviewed in Korea Times

Anna Jiwon Park has a good interview with Kim Un-su (author of The Plotters, among other things) in the Korea Times this week. It’s a nice leisurely two-page read for the Weekender section, clocking in at 3,000 words. Park has an engaging conversation with him, and makes an interesting observation: His books not only have […]

Bong Joon-ho’s Parasite wins Palme d’Or

Bong Joon-ho’s Parasite (기생충) is the first Korean film to take the Palme d’Or – the top prize – at the Cannes Film Festival. The awards were announced last night, 25 May. Announcing the 2019 CST Artist-Technician Prize, the Jury also noted Lee Ha-jun’s outstanding work as Artistic Director on the movie. According to Arirang […]

A quiet look at the LKFF’s 2018 programme

The London Korean Film Festival returns for its 13th edition next month with a slightly quieter tone than in some previous years. And there’s nothing wrong with that. It’s as if the organisers are saying that, as the festival enters its teenage years, the audience is becoming grown-up enough not to require a diet of […]

Handmaiden nominated for foreign language BAFTA

It’s up against four others including Paul Verhoeven’s Elle, but Park Chan-wook’s Handmaiden has made the shortlist announced yesterday for best feature film not in the English language. The shortlist was determined by an “opt-in chapter” of BAFTA voting members. The winners will be announced on 18 February. Films are only eligible to be entered into […]

A new year gift from the Korean Film Archive

Those nice people at the Korean Film Archive have given us a new year gift, in the form of twenty-one English subtitled classic movies newly uploaded to their YouTube channel. At least two of these have been available on subtitled DVD before (Come, Come, Come Upward and Gingko Bed) but I’m assuming these are new, […]