This looks like an interesting start to the KCC’s series of teaser screenings: Winter’s Night (겨울밤에) Director: Jang Woo-jin (2018, 98 mins) Starring: Yang Heung-ju, See Young-hwa Picturehouse Central, Monday 15th April 2019, 6:30pm | Book tickets Picturehouse Central welcomes back the London Korean Film Festival for a UK Premiere of Winter’s Night. One cold […]
Category: London Korean Film Festival
A look back at some of the films of 2018
A wide variety of genres was presented to the London audience this year, from the return of the romantic melodrama (Be With You) to big budget fantasy (Along with the Gods). We also saw #MeToo beginning to have an impact, not just in the themes of movies such as Land of Seonghye and Testimony but […]
Festival Film Review: The Return
I was as delighted as I was surprised when I saw that the London Korean Film Festival had selected The Return for its closing gala screening. The huge numbers of overseas adoptions from Korea is often a sidelined subject and understandably wouldn’t be a natural choice when showcasing Korean culture and arts. But the 2018 […]
Festival Film Review: Microhabitat
Miso just about gets by, living in a cockroach-infested room, earning just enough to pay the rent by taking low-paid cleaning jobs. She has to budget carefully, and can just afford a couple of her little indulgences: smoking cigarettes (preferably foreign brands), and frequenting whisky bars for a drop of single malt on the way […]
Festival mini movie review: Love+Sling
A sporting rom-com involving a love triangle whose vertices are a well-meaning but over controlling single father (Yoo Hae-jin, 1987); his dutiful son (Kim Min-jae) who is obliging his father by training hard in the skill of greco-Roman wrestling; and the pretty girl next door (Lee Sung-kyung), who inconveniently and inexplicably fancies the father rather […]
Festival film review: This Charming Girl
Lee Yoon-ki (이윤기) This Charming Girl (여자, 정혜, 2004, 99 mins). Review by Robert Cottingham. You know how people talk about reality TV, even though there is nothing ‘real’ about it? Well, if you wanted to see actual reality, the sheer day-to-day mundane-ness of the average person’s life, then this film is the closest you […]
Mini review round-up: the 2018 LKFF Teaser screenings
Sometimes I just don’t have the time to marshal any thoughts about a movie after seeing it. Daily life takes over any before I know it I’ve watched another movie and the memory of the previous one is dimming fast. But as I’ve been on holiday for a few days away from the daily grind, […]
The film festivals approach – as does the annual battle for our diaries
Last year I had a little rant about the hectic and competing schedules of the two overlapping film festivals of interest to the Korean film audience. The London Korean Film Festival has had a long history of packing so many films into their programme that it’s impossible to go to everything you want to see. […]
A quiet look at the LKFF’s 2018 programme
The London Korean Film Festival returns for its 13th edition next month with a slightly quieter tone than in some previous years. And there’s nothing wrong with that. It’s as if the organisers are saying that, as the festival enters its teenage years, the audience is becoming grown-up enough not to require a diet of […]
London Korean Film Festival 2018: press release and detailed schedule
The 2018 London Korean Film Festival programme was announced at last night’s final teaser screening. The press release is set out below, and at the bottom of the page is the detailed schedule: The 13th London Korean Film Festival London: 1 – 14 November 2018 UK tour: 15 – 25 November 2018 LONDON, 17 September […]
Final LKFF Teaser: A Tiger in Winter
So glad we’re getting to see another Lee Kwang-guk movie in London. I really enjoyed the focus on his movies back in the 2015 festival. This final LKFF 2018 teaser screening gives the opportunity for the official launch of the 2018 festival programme. The main festival runs 1 – 14 November 2018. A Tiger in […]
Bae Chang-ho retrospective: the highlight of LKFF 2017
For me, the highlight of this year’s London Korean Film Festival was the brief retrospective of some of Bae Chang-ho’s early output. I’ve had a soft spot for Director Bae’s work for over 15 years now: My Heart was one of the first Korean movies I saw, back in the London Korean Film Festival in 2001. […]
Festival film review: Bae Chang-ho’s The Dream
Bae Chang-ho’s The Dream is based on a story from the Samguk Yusa, a story that Yi Kwang-su worked up into a short novel. Although the tale is set in the late Silla dynasty, its message is timeless. The story starts with a weary and impoverished traveller (played by Ahn Sung-ki) trudging through the snow […]
Festival film review: Bae Chang-ho’s Whale Hunting
Based on a story by long-standing collaborator Choe In-ho, Whale Hunting is one of Korea’s seminal road movies. Hunting the whale, in the dark days of the dictatorship, was symbolic for yearning for things beyond the day-to-day. In Bae Chang-ho’s 1984 movie it represented the search for the things that give life meaning; in a […]
Festival film review double bill: Two Doors / The Remnants
As part of the Documentary strand of the 2017 London Korean Film Festival Lee Hyuk-sang of the activist documentary makers PINKS presented a pair of films on the Yongsan tragedy. The context of the tragedy was the plan to redevelop the Yongsan area as the US army prepared to move to their new base in […]
Festival film review: Bae Chang-ho’s People of the Slum
Bae Chang-ho’s debut feature, People of the Slum (1982), is based on a semi-autobiographical novel by Lee Dong-chul. The film tells the story of a complicated love triangle. Myeong-sook, played by Kim Bo-yeon, lives with her second husband, the idle and dissolute Tae-seop (played by Kim Hui-ra). Living in the same house in the run-down […]
The Yongsan tragedy featured in two LKFF documentaries
Those of you who have read and love Han Kang’s Human Acts will know that is is inspired not only by the Gwangju uprising but also the Yongsan tragedy. Hwang Jung-eun’s One Hundred Shadows is even more directly inspired by the same tragedy. It was a news event that was little reported in the Western […]