Here’s the detailed schedule for the London screenings in the London Korean Film Festival. You can find the press release here. Check for updates on the festival’s official website, koreanfilm.co.uk. Time Title Strand Venue Friday 1 November 19:00 The Seashore Village (갯마을) + Q&A Dir: Kim Soo-yong (1965, 91 min) Opening Gala RSC Saturday 2 … [Read More]
Category: London Korean Film Festival (page 3)
London Korean Film Festival 2019: the official press release
Here is today’s official press release that announces the line-up for the 2019 London Korean Film Festival: The London Korean Film Festival (LKFF) has launched its full programme of films and events for the upcoming 14th edition, taking place from 1st-14th November in London before embarking on the annual tour 18th-24th November. The Special Focus, … [Read More]
LKFF 2019 Teaser Screening #5: Kokdu, + LKFF Programme Launch
The final teaser screening before the November festival: Kokdu: A Story of Guardian Angels (꼭두 이야기) UK Premiere, plus launch of 2019 London Korean Film Festival programme Director: Kim Tae-yong (2018, 79min) Cast: Kim Sun-an, Choi Go, Cho Hee-bong Monday 16 September 2019, 7pm Regent Street Cinema | 307 Regent Street | London W1B 2HW … [Read More]
LKFF 2019 Teaser Screening #1: Winter’s Night
This looks like an interesting start to the KCC’s series of teaser screenings: Winter’s Night (겨울밤에) Director: Jang Woo-jin (2018, 98 mins) Starring: Yang Heung-ju, See Young-hwa Picturehouse Central, Monday 15th April 2019, 6:30pm | Book tickets Picturehouse Central welcomes back the London Korean Film Festival for a UK Premiere of Winter’s Night. One cold … [Read More]
A look back at some of the films of 2018
A wide variety of genres was presented to the London audience this year, from the return of the romantic melodrama (Be With You) to big budget fantasy (Along with the Gods). We also saw #MeToo beginning to have an impact, not just in the themes of movies such as Land of Seonghye and Testimony but … [Read More]
Festival Film Review: The Return
I was as delighted as I was surprised when I saw that the London Korean Film Festival had selected The Return for its closing gala screening. The huge numbers of overseas adoptions from Korea is often a sidelined subject and understandably wouldn’t be a natural choice when showcasing Korean culture and arts. But the 2018 … [Read More]
Festival Film Review: Microhabitat
Miso just about gets by, living in a cockroach-infested room, earning just enough to pay the rent by taking low-paid cleaning jobs. She has to budget carefully, and can just afford a couple of her little indulgences: smoking cigarettes (preferably foreign brands), and frequenting whisky bars for a drop of single malt on the way … [Read More]
Festival mini movie review: Love+Sling
A sporting rom-com involving a love triangle whose vertices are a well-meaning but over controlling single father (Yoo Hae-jin, 1987); his dutiful son (Kim Min-jae) who is obliging his father by training hard in the skill of greco-Roman wrestling; and the pretty girl next door (Lee Sung-kyung), who inconveniently and inexplicably fancies the father rather … [Read More]
Festival film review: This Charming Girl
Lee Yoon-ki (이윤기) This Charming Girl (여자, 정혜, 2004, 99 mins). Review by Robert Cottingham. You know how people talk about reality TV, even though there is nothing ‘real’ about it? Well, if you wanted to see actual reality, the sheer day-to-day mundane-ness of the average person’s life, then this film is the closest you … [Read More]
Park Ki-yong interview: implication, independence and time in Korean cinema
The veteran director discusses restrained portrayals of sexuality, lessons in economical filmmaking, the pressures facing independent Korean cinema, education and animation at KAFA, improvisation versus scripting, and how Old Love links personal memory with contemporary politics, generational reflection, and Korea’s recent historical moments. [Read More]
Lee Myung-se interview: love, action and creative freedom in filmmaking
Le Myung-se reflects on his 1990s love stories, the shift to action in Nowhere to Hide, and his dedication to creative autonomy. He discusses remakes, music choices, visual storytelling, and concerns over data-driven filmmaking, emphasizing the interplay of narrative, visuals, and emotional expression as central to his films. [Read More]
Kim Yang-hee and Yang Ik-june: a softer way of seeing
Director Kim Yang-hee and actor Yang Ik-june discuss The Poet and the Boy as a gentle portrayal of same-sex affection, shifting social attitudes toward homosexuality in Korea, and resisting fixed labels. They address casting risks, performance choices, poetry as emotional structure, and the role of film in reflecting gradual human-rights change. [Read More]
Jeon Go-woon interview: fragility, freedom and refusing norms
Director Jeon Go-woon discusses Microhabitat as a story about choosing personal values over stability. She explains Miso’s refusal of conventional comfort, the symbolism of ex-musicians and youth, male vulnerability, collaborative character-building with actors, and the realities of making independent films within tight economic and emotional constraints. [Read More]
Mini review round-up: the 2018 LKFF Teaser screenings
Sometimes I just don’t have the time to marshal any thoughts about a movie after seeing it. Daily life takes over any before I know it I’ve watched another movie and the memory of the previous one is dimming fast. But as I’ve been on holiday for a few days away from the daily grind, … [Read More]
The film festivals approach – as does the annual battle for our diaries
Last year I had a little rant about the hectic and competing schedules of the two overlapping film festivals of interest to the Korean film audience. The London Korean Film Festival has had a long history of packing so many films into their programme that it’s impossible to go to everything you want to see. … [Read More]
Seven Years of Night (7년의밤, 2018) review: guilt, inherited sin and uneasy revenge
As a hard-hitting, brutal revenge thriller balanced with emotion and pathos detailing guilt and regret, Seven Years of Night stands up well to scrutiny. However director Choo Chang-min’s decision to repeatedly leave supposedly supernatural elements open to question brings with it a feeling of missed opportunities. [Read More]