This final teaser screening for the 2017 London Korean Film Festival looks rather fun. And to add to the tease, on the same evening the programme for the main festival will be unveiled. See you there. The Villainess (악녀) London Korean Film Festival Teaser Screening + LKFF 2017 Programme Launch Director: Jung Byung-gil (정병길), 2017, … [Read More]
Category: London Korean Film Festival (page 5)
London Korean Festival 2006 – an introduction
The London Korean Festival 2006 was the last of the festivals organised by Oh Tae-min and his team, which included Stephanie Seung-min Kim who would go on to be the first curator at the Korean Cultural Centre before moving into the art curatorial world on her own. Previously working from within the Korean Anglican Community … [Read More]
Festival film review: Yourself and Yours
Hong Sang-soo (홍상수) Yourself and Yours (당신 자신과 당신의 것, 2016) Review by Robert Cottingham. You can tell from the opening titles exactly the kind of film this is going to be. Black Korean calligraphy on a white background suggests an intelligent and possibly artistic film and the lively classical music hints at a sophisticated comedy on … [Read More]
Director Park Hong-min interview: “we were all trying to express our loneliness”
Director Park Hong-min discusses A Fish and Alone, tracing their roots in loneliness, memory, and self-analysis. He addresses the film education system in Korea and the struggles of truly independent filmmaking, and talks about casting choices, shamanism, long takes, handmade 3D and a commitment to personal questions over commercial formulas.Director Park Hong-min discusses A Fish and Alone, tracing their roots in loneliness, memory, and self-analysis. He addresses the film education system in Korea and the struggles of truly independent filmmaking, and talks about casting choices, shamanism, long takes, handmade 3D and a commitment to personal questions over commercial formulas. [Read More]
Rituals, Reflections, and 3D: Director Park Hong-min on A Fish
Director Park Hong-min discusses the shamanistic inspirations behind his debut film, A Fish. He explains his unconventional use of 3D to create a distorted reality, the symbolic role of mirrors and doppelgängers, and the influence of Jindo’s healing rituals. Park also details his collaborative approach to the film’s restrained, atmospheric sound design. [Read More]
Lee Jang-ho interview: censorship, sexuality and resistance in Korean cinema
Lee Jang-ho discusses state censorship from the colonial era through the 1990s, the enforced transformation of Declaration of Idiot, and his turn to sexuality as a tool of anti-establishment expression in the 1980s. He reflects on Shin Sang-ok’s abduction, North Korean filmmaking, and argues that contemporary Korea still harshly penalises social critique. [Read More]
Brief festival film review: Eoh Woo Dong
Lee Chang-ho (이장호) Eoh Woo Dong (어우동, 1985, 110 mins). Review by Robert Cottingham. Eoh Woo Dong translates as “entertainer,” a rough approximation of the duties of 14th-century Korean courtesan Eoh Yoon Chang. After a lifetime “in service,” Eoh Yoon Chang retires to a faraway village. Meanwhile, her powerful father, ashamed of his daughter’s lifestyle, … [Read More]
Actor Baek Yoon-sik interview: career flow, creative choice, defining roles
Actor Baek Yoon-sik reflects on moving between theatre, television, and cinema, returning to film with Save the Green Planet. He discusses choosing challenging roles, respecting scripts, limited improvisation, and working on politically and socially charged films (such as The President’s Last Bang), framing acting as creative labour shaped by history, collaboration, and personal judgment. [Read More]
Brief Festival Film Review: Kai
Lee Sung-gang (이성강): Kai (카이, 2016, 96 mins) Review by Robert Cottingham Snow Queen Hattan casts a spell over the peaceful village where Kai lives, and covers everything in ice. The River Spirit who is the protector of the village gives the brave young Kai the only key to fighting off Hattan and asks him … [Read More]
Festival film review: Crush and Blush
Lee Kyoung-mi (이경미): Crush and Blush (미쓰 홍당무, 2008) Review by Robert Cottingham. Right near the beginning of Crush and Blush, the main character Mi-seok stands digging a deep hole in a schoolyard. I thought that it was a punishment used in South Korean schools, but if not it could be a visual metaphor for … [Read More]
Jung Woo-sung and Kim Sung-soo interview: “Hyung, this is really tough!”
Actor Jung Woo-sung and director Kim Sung-soo discuss Asura: The City of Madness, focusing on its fictional setting, extreme characters, and themes of power, corruption, and moral collapse. They reflect on their long collaboration, challenging performances, shifting career choices, and the responsibility of senior artists to support new filmmakers. [Read More]
Festival film review: The Truth Beneath
Lee Kyoung-mi (이경미): The Truth Beneath (비밀은 없다, 2016) Review by Robert Cottingham Lee Kyoung-mi got her start in films working with Park Chan-wook, and from watching this film it seems she has taken his lead when it comes to violent revenge. When a politician’s daughter goes missing the scandal threatens to upset his ambitions … [Read More]
LKFF report: the opening night and The Truth Beneath
The eleventh of the London Korean Film Festivals organised by the KCCUK opened on Thursday with a little sprinkling of stardust. Jung Woo-sung, who electrified the audience during the 2014 festival where he was the headline attraction, came to the opening night as just a regular guy wanting to watch a movie. But that didn’t … [Read More]
A look at the 2016 London Korean Film Festival programme
Oooh oooh oooh my favourite film of 2012, and in a shortlist for my film of the decade is being screened again. I thought it would never find its way back into a London theatre and that I’d never have the pleasure of seeing it again, because it’s not the sort of movie that they’re … [Read More]
Caught on the plane: Twenty and Memories of the Sword (with Alice in Earnestland)
I always look forward to long-haul flights as an opportunity to catch up on all the movies I should have been watching over the past year. And having just returned from an ultra-long-haul holiday, I can heartily recommend Singapore Airlines in-flight entertainment. My only complaint is that there was too much to watch: if the … [Read More]
Festival Film Review: Lee Kwang-guk focus
If I had seen no other films at the 2015 London Korean Film Festival, the evenings of films by Lee Kwang-guk would have made the whole festival worthwhile. The first evening featured his second film, the short Hard to Say (2013), along with his debut feature Romance Joe (2012), while the second evening followed up … [Read More]