The London Korean Film Festival returns for its 13th edition next month with a slightly quieter tone than in some previous years. And there’s nothing wrong with that. It’s as if the organisers are saying that, as the festival enters its teenage years, the audience is becoming grown-up enough not to require a diet of … [Read More]
Category: London Korean Film Festival (page 4)
London Korean Film Festival 2018: press release and detailed schedule
The 2018 London Korean Film Festival programme was announced at last night’s final teaser screening. The press release is set out below, and at the bottom of the page is the detailed schedule: The 13th London Korean Film Festival London: 1 – 14 November 2018 UK tour: 15 – 25 November 2018 LONDON, 17 September … [Read More]
Final LKFF Teaser: A Tiger in Winter
So glad we’re getting to see another Lee Kwang-guk movie in London. I really enjoyed the focus on his movies back in the 2015 festival. This final LKFF 2018 teaser screening gives the opportunity for the official launch of the 2018 festival programme. The main festival runs 1 – 14 November 2018. A Tiger in … [Read More]
Bae Chang-ho retrospective: the highlight of LKFF 2017
For me, the highlight of this year’s London Korean Film Festival was the brief retrospective of some of Bae Chang-ho’s early output. I’ve had a soft spot for Director Bae’s work for over 15 years now: My Heart was one of the first Korean movies I saw, back in the London Korean Film Festival in 2001. … [Read More]
Festival film review: Bae Chang-ho’s The Dream
Bae Chang-ho’s The Dream is based on a story from the Samguk Yusa, a story that Yi Kwang-su worked up into a short novel. Although the tale is set in the late Silla dynasty, its message is timeless. The story starts with a weary and impoverished traveller (played by Ahn Sung-ki) trudging through the snow … [Read More]
Festival film review: Bae Chang-ho’s Whale Hunting
Based on a story by long-standing collaborator Choe In-ho, Whale Hunting is one of Korea’s seminal road movies. Hunting the whale, in the dark days of the dictatorship, was symbolic for yearning for things beyond the day-to-day. In Bae Chang-ho’s 1984 movie it represented the search for the things that give life meaning; in a … [Read More]
Festival film review double bill: Two Doors / The Remnants
As part of the Documentary strand of the 2017 London Korean Film Festival Lee Hyuk-sang of the activist documentary makers PINKS presented a pair of films on the Yongsan tragedy. The context of the tragedy was the plan to redevelop the Yongsan area as the US army prepared to move to their new base in … [Read More]
Festival film review: Bae Chang-ho’s People of the Slum
Bae Chang-ho’s debut feature, People of the Slum (1982), is based on a semi-autobiographical novel by Lee Dong-chul. The film tells the story of a complicated love triangle. Myeong-sook, played by Kim Bo-yeon, lives with her second husband, the idle and dissolute Tae-seop (played by Kim Hui-ra). Living in the same house in the run-down … [Read More]
Lee Wan-min and Kim Sae-byuk interview: Jamsil — memory, feminism, and independent Korean cinema
Director Lee Wan-min discusses Jamsil’s use of colour, memory, fragmented time, feminism, and the realities of making independent films amid funding and industry barriers. Actress Kim Sae-byuk reflects on choosing meaningful stories, balancing independent and commercial work, and the collaborative relationship at the film’s core. [Read More]
Bae Chang-ho interview: censorship, change, and life stories in Korean cinema
Director Bae Chang-ho reflects on the evolution of his film-making career and developments in the industry and audience preferences. He discusses changes in his style, a focus on ordinary lives and love, collaborations with his wife Kim Yoo-mi, investor-driven constraints, and why his films’ sincerity was shaped by hardship rather than budget or freedom. [Read More]
Kang Yoon-sung interview: real crime, action and commercial storytelling
Director Kang Yoon-sung discusses The Outlaws, from its real-life origins and research-driven realism to stripped-back characterisation and action-led storytelling. He explains casting choices, humour and violence balance, colour-coded gangs, funding challenges, and how editing, choreography, and true stories shaped his approach to commercial Korean cinema. [Read More]
The Yongsan tragedy featured in two LKFF documentaries
Those of you who have read and love Han Kang’s Human Acts will know that is is inspired not only by the Gwangju uprising but also the Yongsan tragedy. Hwang Jung-eun’s One Hundred Shadows is even more directly inspired by the same tragedy. It was a news event that was little reported in the Western … [Read More]
Festival film review: The Mimic
I don’t quite know how you go about reviewing a film like The Mimic. As I watched its early sections, enjoying the ride reasonably enough, I nevertheless thought back to some of the Whispering Corridors series (and sadly the weakest of them, Blood Pledge) in which plot is subservient to gratuitous scares. Probably if you … [Read More]
Film review double bill: Bamseom Pirates and Criminal Conspiracy
This weekend gave us the opportunity to watch two very different documentaries which cast their critical eye over contemporary Korean society and recent political history. Part of the fascination of both of them for UK-based Korea-watchers is the way they resonate: they provide, in the one case, a laser-like dissection of an issue of which … [Read More]
LEAFF, LKFF and the battle for our diaries
The film festival season is upon us, and this requires some serious diary planning. Fortunately the BFI London Film Festival remains serenely distant from the ignominious tangle caused by the collision of LEAFF and LKFF. With four titles scheduled earlier in the month, including the movie that I’ve been most looking forward to all year … [Read More]
London Korean Film Festival 2017: full programme details
Details of the programme for the 2017 London Korean Film Festival were announced earlier this evening at the fun-packed and blood-spattered final teaser screening (Jung Byung-gil’s The Villainess). The detailed schedule is right at the bottom of this page, and the below press release gives us plenty to mull over in terms of the individual … [Read More]