After a rocky start with Netflix, I’m now coming round to it. I started subscribing to the online service in order to watch Okja, the Netflix-only feature film by director Bong Joon-ho. Although that particular experience was a big disappointment, I continued the subscription in case I was tempted by any of the other movies […]
Antarctic Journal (Im Pil-seong, 2004) screened at the KCC on 24 April as part of the Year of the Film Professionals. The second professional to be so featured was cinematographer Chung Chung-hoon, who gives Park Chan-wook movies their distinctive look. Antarctic Journal is one of Chung’s rare films with another director. Given the poor reviews […]
British cinema-goers are used to a short commercial before the main feature in which a film director is pitching his latest movie idea to some corporate suits whose only interest is that the film should promote a certain mobile phone network at every opportunity. So it’s not such a strange idea that a well-known Korean […]
Doomsday Book, the first of six Korean films to screen at the 56th BFI London Film Festival is a set of three short films based loosely on a science fiction theme. The two outer segments, gentle comedies directed by Im Pil-seong (임필성), sandwich a semi-serious but nevertheless meagre filling by Kim Ji-woon entitled Heavenly Creature […]
Details of London screenings of the “Tale of Two Sisters” style ghost story.
Jason Bechervaise, founder of koreanfilm.org.uk, gives his perspective on the ups and downs of the Korean film industry in 2007 By all accounts 2007 was a year that has been difficult one for the Korean film industry where it seems that the golden years of the Korean film industry has passed. Rising costs have meant […]