Year of the film professionals

The KCC brings their Year of the Film Professionals to an end with a focus on art director and production designer Ryu Seong-hie, who has worked on some of the top Korean movies of this century. The Year of the Film Professionals: Ryu Seonghie — Production Designer October – December 2014 One of the longest […]

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Cho Young-wuk on waltzes, playgrounds and working with Park Chan-wook

by Philip Gowman 5 October 2014
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So much has changed over the past few years. Nearly 10 years ago Asia House organised the London premiere screening of Lady Vengeance including a Q&A with the director, Park Chan-wook. It was hard not to squirm in embarrassment at the shallowness of some of the questions from the audience, and the moderator could have […]

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Cho Young-wuk to conduct the Philharmonia Orchestra in his “Oldboy Suite”

by Events Editor 22 September 2014
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At the time of writing, according to the KCC website there are just 3 seats left for the Oldboy screening on Thursday. But people who have booked will have received an email to remind them that if they don’t turn up promptly their seat will be given to people on the waiting list. Whatever, if […]

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A special Oldboy screening with live music and Q&A

by Events Editor 10 September 2014
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When did you last see Oldboy on the big screen? In fact, have you ever seen it on the big screen? Come to think of it, I’m not sure if I have myself. Like many, I’ve got the DVD, and sometimes watch it when it’s screened on Film 4, and of course many of the […]

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Brief film review: The Contact (Jang Yoon-hyeon, 1997)

by Philip Gowman 11 July 2014
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Synopsis: Dong-hyun (Han Suk-gyu), a radio DJ, has recently been dumped by his girlfriend. Lovelorn and scorned his mood is lifted when he receives a copy of a vinyl Velvet Underground LP thinking that it is a gift from his ex. Since it holds a special meaning for his demised relationship, he plays Pale Blue […]

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Cho Young-wuk is the third of the KCC’s film professionals

by Events Editor 10 July 2014
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The Year of the Film Professionals turns to focus on music director Jo Young-wook / Cho Young-wuk, who according to Hancinema has a pretty impressive roster of films to his credit. Here’s the schedule for the quarter. Registration as always is required via the KCCUK website. The Contact (접속) Director: Jang Yoon-hyun (1997) Cast: Han […]

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The Contact – the first of the films featuring composer Cho Young-wuk

by Events Editor 29 June 2014
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The Year of the Film Professionals moves on to focus on composer Cho Young-wuk. The first film to be shown, The Contact (Chang Yoon-Hyun 1997), has been on my watchlist for a while, so I’ll be sure to be there: Jeon Do-yeon’s first feature, with a youthful Han Suk-kyu. The Contact (접속) Jang Yoon-hyeon, 1997 […]

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Antarctic Journal: a promising start, a confusing end, and a film to be avoided

by Philip Gowman 27 April 2014
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Antarctic Journal (Im Pil-seong, 2004) screened at the KCC on 24 April as part of the Year of the Film Professionals. The second professional to be so featured was cinematographer Chung Chung-hoon, who gives Park Chan-wook movies their distinctive look. Antarctic Journal is one of Chung’s rare films with another director. Given the poor reviews […]

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Cinematographer Chung Chung-hoon is the second of the KCC’s film professionals

by Events Editor 9 April 2014
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News of season 2 of the KCC’s “Year of the Film Professionals”. This quarter we are focusing on cinematographer Chung Chung Hoon, who is associated with, or indeed created, Park Chan-wook’s visual style. Note that the Q&A is mid-season, at the end of May. Here are the screenings: Thursday 10 Apr 7pm: Sympathy for Lady […]

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Screen writer Park Hoon-jung the first focus of the KCC’s 2014 film programme

by Events Editor 31 January 2014
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Having focused on actors and directors in their screenings in the last two years, the KCC this year shifts to looking at other members of the production team – music directors, cinematographers, production designers and the like. Appropriately, in the run-up to the London Book Fair in April, the first profession to get the spotlight […]

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