The programme for the 2008 London Korean Film Festival has been announced. A great line-up with something for everyone. From the latest releases, there’s the biggest film of 2008 (The Good, the Bad and the Weird), plus one or two I’d forgotten about, but which with a bit of thought are obvious choices: last year’s picture about the Kwangju incident, May 18; this year’s sports movie Forever the Moment; plus a wildcard which showed at the recent Edinburgh Film Festival, Milky Way Liberation Front, Yoon Seong-ho’s debut comedy about indie film-making. Meanwhile the Public Enemy franchise continues, and there’s another chance to catch Kim Yun-jin in Seven Days.
For those who appreciated Lee Chang-dong’s Secret Sunshine at the BFI London Film Festival last year (and there’s a growing number of people who do, judging by the difficulty in getting hold of a print of this film), there’s a complete retrospective of all Director Lee’s films, while remastered prints of Kim Ki-young’s 1960 masterpiece Housemaid and Yu Hyun-mok’s rather depressing film about post-war Korea Aimless Bullet will satisfy those seeking films from the Golden Age.
As last year, there’s a fair amount of animation, with items ranging from an episode of Pororo the Penguin to the full-length poo feature Aachi and Ssipak.
The Festival runs from 6 – 12 November in London’s Barbican, and then moves to Liverpool for three days. Here are some of the recent features on show:
The Good, The Bad, The Weird
Director: Kim Ji-woon
Cast: Song Kang-ho, Lee Byeong-ho & Jeong Woo-seong
Times: London: November 6, 7pm (introduced by Kim Ji-woon); November 7, 7pm (with director Q&A, chaired by Tony Rayns) Liverpool: November 13, 6pm
Kim Ji-woon’s wildly spectacular Kimchi Western is a mind blowing mash-up of influences, fusing Sergio Leone with Kurosawa, via Korea’s own brand of frantic shoot ‘em up action and frenetic comedy. Peppered with eye popping set pieces and draw dropping stunts, the plot tracks three very different outlaws, on the hunt for a lost treasure map in 1930’s Japanese controlled Manchuria. Starring Jeong Woo-seong, Lee Byeong-heon and Song Kang-ho as the titular anti-heroes, this genre-bending extravaganza was two years in the making and well worth the wait.
This third installment Kang Woo-seok’s internationally successful series has become one of the biggest hits in Korea this year. Expect plenty of Woo’s trademark wham-bam action as screen legend Sol Kyeong-gu returns as cop Kang Chul-joong, this time taking on high level corruption in the form of a super-successful business man – will Kang get his man this time?
Based on the true story of Korea’s 2004 women’s Olympic hand-ball team and their moment in the spotlight in Athens, Forever…’s focus is as much on the private affairs of the players as their on court antics, exploring the bittersweet relationship between personal and professional lives, as the women struggle to maintain their families whilst upholding their country’s Olympic dreams. Sensitively handled, beautifully realized and ultimately very moving, this is a sports movie quite unlike any other.
May 18 is based on the Gwangju massacre that took place in 1980, which occurred when President Chun Doo-hwan tried to remove rebels by using military force. Starring an all star cast including veteran actor Ahn Sung-ki and rising star Lee Jun-ki who rose to fame following his performance in The King and The Clown; this became an instant hit in South Korea amassing millions of admissions.
Troubled director Yeong-Jae – played to Woody Allen-esque perfection by star Lim Ji-gyu – is trying to get his first film off the ground, whilst negotiating complicated matters of the heart and dealing with myriad comic setbacks, both real and fantastical. This breakthrough Indy delight from first time director Yoon joins a new generation of industry introspective film, descended from US satires The Player and Living in Oblivion but with oodles more heart.
Top lawyer Ji-yeon has just seven days to free a prisoner convicted of a brutal murder, or her young daughter will die. Desperately searching for her kidnapped child amongst Seoul’s dark alleys and dilapidated tenements, Ji-yeon finds herself caught in a deadly conspiracy that stretches from Korea’s savage underworld all the way to City Hall. Starring ‘Lost’ favourite Kim Yun-jin, Won’s sophisticated thriller keeps the adrenaline pumping from start to finish.
- London Korean Film Festival official website
(automatically generated) Read LKL’s review of this event here.