Details of the programme for the 2017 London Korean Film Festival were announced earlier this evening at the fun-packed and blood-spattered final teaser screening (Jung Byung-gil’s The Villainess). The detailed schedule is right at the bottom of this page, and the below press release gives us plenty to mull over in terms of the individual […]
The official UK release date for Kim Jee-woon’s colonial era spy thriller is 24 March. The Age of Shadows, released in the UK by Soda Pictures, opened last year’s London East Asia Film Festival. At the time of writing no London screenings have been announced, but the movie will be screened in Sheffield, and earlier previews are […]
The 2016 London East Asia Film Festival has a number of strands. We’ve already posted details of the movies screening in the Park Chan-wook retrospective and the Jeonju International Film Festival Focus. So here are the Korean movies featuring in the other strands, the broader East Asian cinema sections, listed in order of screening at […]
For March, the programme of screenings is expanded: two at the KCCUK and one at SOAS. Tale of Two Sisters is a classic, and Foul King is a guilty pleasure. For me though, Takashi Miike’s remake of Quiet Family, the deliriously madcap Happiness of the Katakuris, is unusual in being an improvement on the original. […]
Doomsday Book, the first of six Korean films to screen at the 56th BFI London Film Festival is a set of three short films based loosely on a science fiction theme. The two outer segments, gentle comedies directed by Im Pil-seong (임필성), sandwich a semi-serious but nevertheless meagre filling by Kim Ji-woon entitled Heavenly Creature […]
Arnold Schwarzenegger confirmed for Kim Ji-woon’s Hollywood film The Last Stand. Here’s hoping Kim does a better job for Arnie than he did for Choi Min-sik in I Saw the Devil.
After seeing how unoriginal Kim Ji-woon can be when presented with someone else’s script (did ANYONE think that I saw the Devil was worth two hours of your life?), it’s a relief to be reminded that when he writes his own stuff he’s on sparkling form. This Thursday sees the start of a Choi Min-sik […]
Aashish Gadhvi speaks on behalf of three LKL reviewers: Kim Ji-woon’s latest is a disappointment. Hype can be a film’s best friend or its worst enemy. In the case of some films it has worked (The Blair Witch Project) and in the case of others it has backfired spectacularly (Star Wars Prequels), but the fact […]
Mark Russell led the way with his fascinating list of films of the decade – in which the biggest shock was that there was no Park Chan-wook. GI Korea also has a list, which redresses the balance somewhat. So here is mine. Over the years I’ve been reasonably diligent in giving marks out of 10 […]
As Chuseok approaches, it’s time once again for the Thames Festival: 12-13 September. This will be the third year that there has been a significant Korean presence. The amazing Dulsori led the way three years ago; last year the high-profile item was Jump. This year we get the musical essence of contemporary Korea, Sorea: a […]
Do we want a Hollywood remake of the classic Kim Ji-woon horror movie “Tale of Two Sisters”? Decide for yourself
Kim Ji-woon’s The Good the Bad and the Weird makes it to DVD, in both Korean and International cuts.
Details of UK screenings of Kim Ji-woon’s western, The Good the Bad and the Weird.
LKL’s annual quiz about the year’s events in Korea, including plenty of celebrity trivia.
It’s over for this year. From my own perspective, it’s been a great festival. I didn’t manage to get to all of the screenings, but I got to the ones I really wanted to. We had two top-notch films from Korea cinema’s golden age (The Housemaid and Obaltan / Aimless Bullet), a retrospective of one […]
A review of Kim Ji-woon’s kimchi western, The Good the Bad and the Weird
A report from the London Korean Film Festival, including the interview with Kim Ji-woon