London Korean Links

Covering things Korean in London and beyond since 2006

Rituals, Reflections, and 3D: Director Park Hong-min on A Fish

Director Park Hong-min discusses the shamanistic inspirations behind his debut film, A Fish. He explains his unconventional use of 3D to create a distorted reality, the symbolic role of mirrors and doppelgängers, and the influence of Jindo’s healing rituals. Park also details his collaborative approach to the film’s restrained, atmospheric sound design. [Read More]

Lee Jang-ho interview: censorship, sexuality and resistance in Korean cinema

Lee Jang-ho discusses state censorship from the colonial era through the 1990s, the enforced transformation of Declaration of Idiot, and his turn to sexuality as a tool of anti-establishment expression in the 1980s. He reflects on Shin Sang-ok’s abduction, North Korean filmmaking, and argues that contemporary Korea still harshly penalises social critique. [Read More]

Brief festival film review: Eoh Woo Dong

Lee Chang-ho (이장호) Eoh Woo Dong (어우동, 1985, 110 mins). Review by Robert Cottingham. Eoh Woo Dong translates as “entertainer,” a rough approximation of the duties of 14th-century Korean courtesan Eoh Yoon Chang. After a lifetime “in service,” Eoh Yoon Chang retires to a faraway village. Meanwhile, her powerful father, ashamed of his daughter’s lifestyle, … [Read More]

An interview with Jung Yewon

There’s a good interview with Jung Yewon, translator of Hwang Jung-eun’s One Hundred Shadows, in The London Magazine. [T]he image of misty rain, “slender as spider’s silk,” is something that has stayed with me as I read, translated, and reread the book, with the ambience of a dream it spun. [Read More]

Actor Baek Yoon-sik interview: career flow, creative choice, defining roles

Actor Baek Yoon-sik reflects on moving between theatre, television, and cinema, returning to film with Save the Green Planet. He discusses choosing challenging roles, respecting scripts, limited improvisation, and working on politically and socially charged films (such as The President’s Last Bang), framing acting as creative labour shaped by history, collaboration, and personal judgment. [Read More]

Gig Review: Kyungso Park and Andy Sheppard in the Albert Hall’s Elgar Room

Recent collaborations between British and Korean musicians have not always been successful. A planned experiment between jazz trumpeter Guy Barker and Samulnori founder Kim Duk-soo never happened because the latter went awol when Barker came to visit. Instead, having already been booked for the 2008 Dano Festival in Trafalgar Square, Barker appeared briefly on stage … [Read More]

Brief Festival Film Review: Kai

Lee Sung-gang (이성강): Kai (카이, 2016, 96 mins) Review by Robert Cottingham Snow Queen Hattan casts a spell over the peaceful village where Kai lives, and covers everything in ice. The River Spirit who is the protector of the village gives the brave young Kai the only key to fighting off Hattan and asks him … [Read More]

The Wailing (곡성, 2016) review: a relentless descent into fear and paranoia

The Wailing takes director Na Hong-jin’s almost trademark intricate, pulse-pounding narrative intensity and ramps it up yet further with palpable character fear, paranoia and desperation. Thriller by name, utterly thrilling in nature, this darkly violent, three-pronged horror ‘whodunit’ is a worthy successor to The Chaser and The Yellow Sea. [Read More]

Festival film review: Crush and Blush

Lee Kyoung-mi (이경미): Crush and Blush (미쓰 홍당무, 2008) Review by Robert Cottingham. Right near the beginning of Crush and Blush, the main character Mi-seok stands digging a deep hole in a schoolyard. I thought that it was a punishment used in South Korean schools, but if not it could be a visual metaphor for … [Read More]

Jung Woo-sung and Kim Sung-soo interview: “Hyung, this is really tough!”

Actor Jung Woo-sung and director Kim Sung-soo discuss Asura: The City of Madness, focusing on its fictional setting, extreme characters, and themes of power, corruption, and moral collapse. They reflect on their long collaboration, challenging performances, shifting career choices, and the responsibility of senior artists to support new filmmakers. [Read More]

Festival film review: The Truth Beneath

Lee Kyoung-mi (이경미): The Truth Beneath (비밀은 없다, 2016) Review by Robert Cottingham Lee Kyoung-mi got her start in films working with Park Chan-wook, and from watching this film it seems she has taken his lead when it comes to violent revenge. When a politician’s daughter goes missing the scandal threatens to upset his ambitions … [Read More]

Choigate, censorship and the arts

At any other time the presence of a demonstrator outside the KCC – and outside the opening screening of the London Korean Film Festival – protesting about artistic censorship that is said to have taken place during the current KCC director’s stint at the National Gugak Centre would have been prominent news. But choreographer Jung … [Read More]

Event news: Under the Sun – Vitaly Mansky’s DPRK documentary screens at the KCC

One of the rare occasions when KCC has hosted an event about North Korea: Screening event: Under the Sun Director: Vitaly Mansky (2015) Screening organised by Free NK Friday 18 November 2016, 7pm – 9pm Korean Culture Centre | 1-3 Strand | London WC2N 5BW Free entry but registration required via Eventbrite Description This movie screening … [Read More]