Just visible behind the window is Joonhong Min’s Non-monumental Monument (2020)
Urban Reckoning, co-curated by Korean artist Joonhong Min, and also including work by Sunyoung Hwang, is at Koppel Project Hive on Holborn Viaduct, taking advantage of the gradual opening up of lockdown that has been in place since March.
Just inside the window that faced onto the viaduct was Min’s Non-monumental Monument (2020), an intricately-detailed monolithic skyscraper.
Joonhong Min: Non-monumental Monument (2020). Mixed media, 257 x 71.5 x 114 cm
Joonhong Min: Non-monumental Monument (2020). Mixed media, 257 x 71.5 x 114 cm
Joonhong Min: Non-monumental Monument (2020). Mixed media, 257 x 71.5 x 114 cm
Downstairs was installed a complete urban landscape.
Joonhong Min: The Debris from the Future Past (2020) – Acrylic, pen drawing and found objects, dimensions variable, with (r) Sunyoung Hwang: Caress (2020) – Acrylic and Oil on canvas, 1152 x 149cm
Joonhong Min: The Debris from the Future Past (2020) – Acrylic, pen drawing and found objects, dimensions variable,
Joonhong Min: The Debris from the Future Past (2020) – Acrylic, pen drawing and found objects, dimensions variable,
Joonhong Min: The Debris from the Future Past (2020) – Acrylic, pen drawing and found objects, dimensions variable,
Joonhong Min: The Debris from the Future Past (2020) – Acrylic, pen drawing and found objects, dimensions variable,
Joonhong Min: The Debris from the Future Past (2020) – Acrylic, pen drawing and found objects, dimensions variable,
Joonhong Min: The Debris from the Future Past (2020) – Acrylic, pen drawing and found objects, dimensions variable,
Joonhong Min: The Debris from the Future Past (2020) – Acrylic, pen drawing and found objects, dimensions variable,
Joonhong Min: The Debris from the Future Past (2020) – Acrylic, pen drawing and found objects, dimensions variable, with Sunyoung Hwang: (l) Caress (2020) – Acrylic and Oil on canvas, 1152 x 149cm and (r) Looking Forward to Your Visit! (2019). Acrylic and oil on canvas, 56.5 x 48.5cm
Included in some of the above installation views is the abstract acrylic work of Sunyoung Hwang. As noted in the exhibition notice, she “finds inspiration in the act of walking by allowing her art to morph as she explores the path of her paints on the canvas. They change direction with the wind and bring her to a place she never expected.”
Sunyoung Hwang: Treading Water (2018) – Acrylic and Oil on canvas, 122.5 x 92cm
Sunyoung Hwang: Caress (2020) – Acrylic and Oil on canvas, 1152 x 149cm
Sunyoung Hwang: Looking Forward to Your Visit! (2019). Acrylic and oil on canvas, 56.5 x 48.5cm