Here’s the official press release for this year’s London Korean Film Festival, released today. Some good things here! Korean Cultural Centre UK announces London Korean Film Festival 2024 Programme Opening Gala Film: Park Beom-su’s VICTORY Closing Gala Film: E.oni’s LOVE IN THE BIG CITY Special Screening: Choi Dong-hoon’s ALIENOID: RETURN TO THE FUTURE London, 1 … [Read More]
Director: Lee Kyoung-mi
London Korean Film Festival 2024 – detailed schedule
Ranging from new releases to independents to special strands, the London Korean Film Festival is the largest Korean film festival outside of Korea. To complement the BFI’s Echoes in Time season, the festival will present two strands of films that will screen at BFI Southbank, Cine Lumiere and ICA – Women’s Voices, showcasing 15 years … [Read More]
A look back at some of the movies in the 2021 London Korean Film Festival
One month after the close of LKFF we’re finally getting around to penning some thoughts on the movies we saw there. We’ve already commented on Im Sang-soo’s latest, which left us with very warm feelings about the festival as a whole. What about the rest of the programme? Let’s get this out of the way … [Read More]
London Korean Film Festival 2021: the detailed schedule
Here’s the detailed schedule for the 2021 London Korean Film Festival. Lots to look forward to here. You can find the official press release here. Time Title Strand RSC = Regent Street Cinema | ICA = Institute of Contemporary Arts | PHC = Picturehouse Central | CIA = Cinema in the Arches | ESG = … [Read More]
Sheffield online conference: South Korean Women’s Cinema
The last Korean cinema conference organised by Sheffield Hallam University I went to was thoroughly rewarding, and although I’d rather this month’s conference were physical so that I could escape from London for a couple of days, I’ve already registered for it. South Korean Women’s Cinema Online, 23 – 25 September 2021 | Register for … [Read More]
Why I’m beginning to warm to Netflix
After a rocky start with Netflix, I’m now coming round to it. I started subscribing to the online service in order to watch Okja, the Netflix-only feature film by director Bong Joon-ho. Although that particular experience was a big disappointment, I continued the subscription in case I was tempted by any of the other movies … [Read More]
Lady from 406 screens at Frightfest
Blink and you’ll miss it, but there’s some Korean interest at Frightfest this weekend. Included in a showcase of short films is The Lady from 406 by director Lee Kyoung-mi (The Truth Beneath) starring Lee Young-ae. The Lady from 406 (아랫집 – UK Premiere) Part of Short Film Showcase 3 Prince Charles Discovery 1 Monday … [Read More]
Festival film review: Crush and Blush
Lee Kyoung-mi (이경미): Crush and Blush (미쓰 홍당무, 2008) Review by Robert Cottingham. Right near the beginning of Crush and Blush, the main character Mi-seok stands digging a deep hole in a schoolyard. I thought that it was a punishment used in South Korean schools, but if not it could be a visual metaphor for … [Read More]
Festival film review: The Truth Beneath
Lee Kyoung-mi (이경미): The Truth Beneath (비밀은 없다, 2016) Review by Robert Cottingham Lee Kyoung-mi got her start in films working with Park Chan-wook, and from watching this film it seems she has taken his lead when it comes to violent revenge. When a politician’s daughter goes missing the scandal threatens to upset his ambitions … [Read More]
LKFF report: the opening night and The Truth Beneath
The eleventh of the London Korean Film Festivals organised by the KCCUK opened on Thursday with a little sprinkling of stardust. Jung Woo-sung, who electrified the audience during the 2014 festival where he was the headline attraction, came to the opening night as just a regular guy wanting to watch a movie. But that didn’t … [Read More]
A look at the 2016 London Korean Film Festival programme
Oooh oooh oooh my favourite film of 2012, and in a shortlist for my film of the decade is being screened again. I thought it would never find its way back into a London theatre and that I’d never have the pleasure of seeing it again, because it’s not the sort of movie that they’re … [Read More]