An historic album made by a hitherto unknown Korean popular music singer from the colonial period is literally unearthed in a modern-day construction site. Miraculously, although the LP is damaged, audio engineers can restore the sound to something like the original, for broadcast on a golden oldies radio show. But who is the singer, and … [Read More]
People: Han Hyo-ju
Illang: The Wolf Brigade (인랑, 2018) review: stunning spectacle, cardboard empathy in sci-fi actioner
While the action set pieces of Illang: The Wolf Brigade are without exception visually jaw-dropping and grippingly frenetic, it is actor Gang Dong-won’s frozen, slightly pained yet kind of blank expression regardless of what emotion is required to be conveyed that is by far Illang’s weakest link. [Read More]
Festival Film reviews: we also went to…
We’ve almost finished clearing the London Korean Film Festival backlog, the only major review outstanding now being Park Chan-kyong’s fascinating documentary Manshin. While I’m polishing that, here are a few brief reviews of the films I didn’t feel moved to write dedicated articles about. Han Gong-ju A heavy and depressing story redeemed by the sensitive … [Read More]
Cold Eyes (감시자들, 2013) review: a high-octane remake of a Hong Kong surveillance thriller
A remake/reworking of 2007 Hong Kong thriller ‘Eye in the Sky’, ‘Cold Eyes’ steps up scale, pace and warmth to stand on its own as a wholly engaging and thoroughly entertaining blockbuster that even largely manages to feel specifically Korean in nature, in spite of never straying too far from the original. [Read More]
Festival Film Review: Masquerade deserved all the awards it got
It swept the board at the recent Grand Bell awards – best film, best director and best leading actor among them. And for all-round entertainment, the closing film of the London Korean Film Festival 2012 deserved all those awards. Was a uniquely reformist tax policy set by a pantomime performer who was pretending to be … [Read More]
Song Il-gon’s Always: a well-made melodrama and nothing more
If Always had been made by any other director I would not have minded. I would not have gone to see it either. But as it was made by Song Il-gon, I went along, and was sorely disappointed. It’s not that it’s a bad film of its genre. It’s well made and moving. The lead … [Read More]