On a rainy night in Busan, So-young (Lee ‘IU’ Ji-eun) leaves her baby Woo-sung outside a ‘baby box’, a safe place set up in Korean churches for new mothers to leave unwanted infants. Instead, he’s picked up by Sang-hyun (Parasite’s Song Kang-ho) who runs an unofficial adoption brokerage and plans to find him a new … [Read More]
People: Kang Dong-won
Movie review: Peninsula. Four years after Train to Busan, the zombies rule the streets…
We’re four years on from the zombie pandemic that ravaged the Korea that we saw in Train to Busan (2016). The port city proved to be no refuge from the rampaging menace, and the zombies took over the country. Some lucky few of the non-infected escaped by sea, but no country wanted to receive the … [Read More]
Peninsula (반도, 2020) review: a high-octane zombie heist lacking its predecessor’s heart
Peninsula largely fulfils the requisites for a blockbuster action/horror in a basic sense, but more depth to the narrative and more fully fledged characters rather than caricatures could have allowed it to step so much further towards the genre busting originality that drew so many of us to classic Korean cinema in the first place. [Read More]
Peninsula to get UK theatrical release
Well, the BFI London Film Festival wasn’t interested in any Korean films, but all credit to Frightfest for securing the zombie blockbuster Peninsula to open their festival on 22 October. Here’s the press release from the FrightFest website; UPDATE: unfortunately, since the festival has moved online-only as the pandemic situation has worsened, Peninsula will no … [Read More]
Illang: The Wolf Brigade (인랑, 2018) review: stunning spectacle, cardboard empathy in sci-fi actioner
While the action set pieces of Illang: The Wolf Brigade are without exception visually jaw-dropping and grippingly frenetic, it is actor Gang Dong-won’s frozen, slightly pained yet kind of blank expression regardless of what emotion is required to be conveyed that is by far Illang’s weakest link. [Read More]
Movie review: E J-Yong – My Brilliant Life
A feelgood Korean drama which the main character has a fatal and incurable disease, and who is writing an account for the benefit of loved ones when he is gone? Been there, done that. Well, not exactly: when the director is E J-Yong and the movie is an adaptation of a Kim Aeran novel, you … [Read More]
1987: When the Day Comes (1987, 2018) review: a vital chronicle of Korea’s path to democracy
1987: When the Day Comes is an exquisitely realised, multi-layered true-life depiction of life and activism in 80s Korea, and the fact that the events portrayed are far less spoken about than the Gwangju massacre but were equally important to the ultimate democratisation of the country makes the film all the more required viewing. [Read More]
Review: 1987 – When the Day Comes
1987: When the Day Comes is one of those movies which could not have been made a couple of years ago. It would have got the director and its all-star cast included on the infamous blacklist of suspected lefties who would not get government support in future. And to have the director of this film … [Read More]
Screening: My Brilliant Life + Kim Aeran Q&A
One of my favourite directors, and one of my favourite authors. I’ll be there. My Brilliant Life (두근두근 내 인생) With author Kim Aeran Q&A Director: E J-yong (2014, 117 mins) Cast: Song Hye-kyo, Kim Seung-wook, Gang Dong-won, Baek Il-seob Original novel by Kim Aeran Thursday 28 June 2018, 7pm, KCCUK | Book here My … [Read More]
UK Premiere screening: 1987: When the Day Comes
After Save the Green Planet (2003), one of my own favourites from that decade, director Jang Joon-hwan took a long break. I’m afraid I missed his second feature, Hwayi: A Monster Boy (2013), something that I’m going to have to rectify, because his third film, coming to the Picturehouse Central this month, has been getting … [Read More]
Vanishing Time: A Boy Who Returned (가려진 시간, 2016) review — childhood, time and impossible love
Blending fantasy, mystery and coming-of-age drama, Vanishing Time: A Boy Who Returned tells a hauntingly beautiful story of childhood, belief and love across impossible boundaries. With striking visuals, subtle special effects and strong performances, Uhm Tae-hwa’s film contrasts adult scepticism with the boundless imagination and emotional truth of youth. [Read More]
The Priests (검은사제들, 2015) review: demons, doubt and ritual
While many would consider one exorcism horror movie to be much like another, ‘The Priests’ manages to combine ideas of modern Catholicism with far more traditional Buddhist rituals to bring a noticeable originality to proceedings. An engaging horror drama with utterly exemplary cast performances. [Read More]
Brief review: The Priests – another excellent LKFF16 teaser
The second of the KCC’s “teaser screenings” for the 2016 London Korean Film Festival, which screened last night at the Picturehouse Central, was another hit. Let’s hope they keep this up. Jang Jae-hyun’s The Priests was a hugely fun (and suspense-filled) exorcism movie, and an impressive full-length debut for the director. It will win new … [Read More]
Woochi: The Demon Slayer (전우치, 2009) review — witty wizardry across time
Numerous film genres blending seamlessly with top notch action, well-realised special effects and genuinely likeable characters add up to Woochi: The Demon Slayer being out and out spectacular entertainment from beginning to end. [Read More]