LKL book database logo

Selected publications

Minhwa – Case Study of Joseon Chaekkado / Chaekkori

A reminder of the SOAS seminar on Friday: should be a good one – Dr Youngsook Pak on Chaekkori http://t.co/Hf2hfXvi Time: 17.00-19.00, 18 November 2011 Title: Folk Painting (Minhwa) – Case Study of Joseon Chaekkado / Chaekkori Speaker: Youngsook Pak Venue: Room G50, Ground floor, SOAS, Russell Square Abstract A screen depicting bookshelves (ch’aekkado or […]

Poetry in Clay at the Metropolitan Museum

Poetry in Clay, the exhibition of Buncheong Ceramics from the Leeum Museum currently at the Metropolitan Museum is seriously worth a visit, with some beautiful pots. Interesting that they also juxtapose a couple of 20th century paintings. Kim Whanki’s dot paintings really do look like the dot decoration on one of the pots # Curator […]

Abstracts: Korean Buddhists Arts of the Koryŏ and Chosŏn Kingdoms

Here are the abstracts for the series of talks on Korean Buddhist arts at SOAS on 19 May 2011: Gyeongwon Choe (Kansas University) Marginalised yet Devoted: Buddhist Paintings Commissioned by Nuns of the Early Joseon Palace Cloisters This lecture examines the three extant Buddhist paintings commissioned by Buddhist nuns in the palace cloisters of the […]

Irrational exhuberance or sober restraint? The contrasting tastes of 18th century neighbours

Leaving aside the question of whether you would fork out £53 million (including taxes and buyer’s premium) for an object that a careless cat could smash to smithereens in an instant, which vase would you rather have on your mantelpiece? On the left, the exhuberant, flamboyant, labour-intensive masterpiece produced by Qing dynasty ceramic artisans (and […]

Korean Art PhD: ‘Picturing Migration: Presenting Art Works By Artists From South Korea Working In Britain, 2006-2008’

LKL contributor Dr Beccy Kennedy gives a flavour of what she has been working on for the past couple of years. ‘…memory organizes representations of the past into a structured sequence that produces a consciousness of an identity through time.’1 The visual and spoken cultural and social perspectives of South Korean artists living and working […]