I was particularly looking forward to the Korean screenings in the London Film Festival this year. Both LEAFF and LKFF in prior years have been championing the talent among Korea’s female directors and the trend has now spread to the BFI programme: of this year’s BFI festival, four out of the five Korean movies were […]
Tag: Movie Q&As
Festival Film Review: Dark Figure of Crime
In a standard police procedural about a serial killer, a detective – maybe a bit of a loner, often with a drink problem – goes from crime scene to crime scene, from victim to victim, trying to fit together the pieces of the jigsaw that will eventually lead to the murderer, before the next crime […]
Recording: Screen talk with Lee Chang-dong at BFI London Film Festival 2018
In case like me you couldn’t get tickets to the Screen Talk with Lee Chang-dong as part of the BFI London Film Festival, here’s the recording on the BFI YouTube channel. The interview took place on 20 October 2018, the day of an anti-Brexit demonstration in London – which is mentioned more than once in […]
Bae Chang-ho retrospective: the highlight of LKFF 2017
For me, the highlight of this year’s London Korean Film Festival was the brief retrospective of some of Bae Chang-ho’s early output. I’ve had a soft spot for Director Bae’s work for over 15 years now: My Heart was one of the first Korean movies I saw, back in the London Korean Film Festival in 2001. […]
Festival report: Park Hong-min Q+A after the screening of “A Fish”
Park Hong-Min was in London yesterday for a 3-D showing of his first film A Fish (2011). He gave a short Q-and-A after the screening. Transcribed by Robert Cottingham. Tony Rayns: I’ll get things going. I take it this film is not based on your own experience? Park Hong-min: Yes, it’s definitely not based on […]
Park Chan-wook talks about Handmaiden, octopuses and more
I’ve now lost count of the number of times that Park Chan-wook has come to London. But it’s always nice to see him, especially when there’s his latest film to enjoy as part of a retrospective of his work at the London East Asia Film Festival. We got to see the amazing Handmaiden at the BFI […]
Festival Film Review: Ode to My Father
The time is the present. Yoon Deok-su, a grandfather living in Busan but born in South Hamgyong province in North Korea, looks back at his life of hardship which has coincided exactly with the life of the Republic of Korea. Surrounded by his grandchildren, he has managed to raise his family from nothing to relative prosperity, […]
Festival Film Review: Ryoo Seung-wan’s Veteran
It really didn’t feel like a new film festival. We were opening in a venue that felt familiar, a lot of the faces front of house and on stage were known to the audience, there were plenty of photographers and TV cameras as well as a red carpet outside, and the bar upstairs was full […]
Kwak Kyung-taek quizzed at the first LKFF on Typhoon, filming in Russia and more
Kwak Kyung-taek is July’s featured director at the KCC. This gives us the opportunity to resurrect from the archives Saharial’s transcription of a Q&A with the director following the UK premiere of his movie Typhoon, at the first of the KCCUK’s London Korean Film Festivals back in September 2006. Q: What drew you to the […]
2015 Travel Diary day 11: a visit to Studio MWP
Daehakro, Seoul, Monday 8 June. This year’s trip to Korea had been full of pleasant surprises: people I had not expected to meet, things I had not been expecting to see. But the most pleasant surprise of all had been an invitation to visit Studio Meditation with a Pencil, creators of my favourite Korean animated […]
LKFF 2014: the conversations
The London Korean Film Festival is not just about getting acquainted with the latest in Korean movies. It is also an opportunity to meet some of the people behind those movies – actors, directors and producers. Opportunities for engaging with these film professionals vary: for an ever-growing group of aficionados there is the offer of round-table […]
Festival Film Review: Hwajang / Revivre
Well, I was right. Ahn Sung-ki confessed in the Q+A which followed the screening of Hwajang that one of his most difficult tasks in portraying Oh Sang-moo, a senior executive in a cosmetics company, was to project certain aspects of being old – of being blocked inside because of the swollen prostate, of being more […]
Cho Young-wuk on waltzes, playgrounds and working with Park Chan-wook
So much has changed over the past few years. Nearly 10 years ago Asia House organised the London premiere screening of Lady Vengeance including a Q&A with the director, Park Chan-wook. It was hard not to squirm in embarrassment at the shallowness of some of the questions from the audience, and the moderator could have […]
Im Kwon-taek: In search of perfection
As the 2014 Asian Games in Incheon approach, LKL is finally spurred to write up some archive notes of interviews and Q&A’s with the director of their Opening Ceremony… “Why are you torturing me?” was Im Kwon-taek’s heartfelt cry when attending a screening of one of his films from the 1960s at a 70-film retrospective […]
I can’t believe he asked her that
The context was this. It was the Q&A after the 4 April screening at BAFTA of Hong Sang-soo’s Hahaha, attended by the lead actress Moon So-ri, the first featured actor of the KCC’s Year of the Four Actors. Tony Rayns was talking to Moon So-ri about how she got her first screen role. Moon started […]
‘War of the Arrows’ – Causing Death and Saving Lives
The opening gala of the London Korean Film Festival was a more rambunctious affair than I remember even last year’s being, due in no small part to the sudden and unexpected entrance of SHINee (I was lucky enough to be two rows behind them, but many who had specially booked seats I gather were incandescent […]
LKFF Festival Bites: Film Students are Softies
We’d just seen Jang Jin’s contribution to the Human Rights Watch short film collection If You Were Me 2: Someone Grateful (고마운 사람). In it, a student demonstrator is befriended by his police interrogator in the KCIA’s underground torture chambers in the 1980s. It’s a provocative short, because instead of railing against police brutality and […]