London Korean Links

Covering things Korean in London and beyond since 2006

Book review: The Birth of Korean Cool

Euny Hong: The Birth of Korean Cool How one nation is conquering the world through pop culture Simon & Schuster UK, 2014, 267pp Euny Hong’s first non-fiction book (we loved her novel) is in turn infuriating, entertaining and informative. Let’s get the infuriating bits done with first. In her approach to Romanization she is cavalier, … [Read More]

LKFF 2014: the conversations

The London Korean Film Festival is not just about getting acquainted with the latest in Korean movies. It is also an opportunity to meet some of the people behind those movies – actors, directors and producers. Opportunities for engaging with these film professionals vary: for an ever-growing group of aficionados there is the offer of round-table … [Read More]

Ahn Sung-ki interview: a life in acting

Ahn Sung-ki reflects on Korean cinema’s roots in historical trauma, its role in addressing social issues, and his career choices under censorship and change. He discusses long collaborations with Im Kwon-taek, the importance of scripts and emotional depth, evolving acting freedoms, international productions, and his belief that cinema’s power lies in moving hearts rather than scale or fame. [Read More]

Obsessed (인간중독, 2014) review: shattered duty and forbidden desires

‘Obsessed’ for the most part succeeds in being a sensual, brooding and beautifully slow-burning tale of forbidden love, but while director Kim Dae-woo’s expertise in depicting palpably erotically-charged narratives serves as one of the film’s many strong points his decision to pile ‘final’ melodramatic moment on top of final melodramatic moment is easily its weakest. [Read More]

Park Chan-kyong interview: Manshin, Asian Gothic and artistic autonomy

Park Chan-kyong discusses financing Manshin outside the studio system, balancing artistic freedom with commercial pressures, and his recurring focus on shamanism, tradition and “Asian gothic” aesthetics. He reflects on collaboration with his brother Park Chan-wook, the creative value of short films, digital democratisation of filmmaking, and Korea’s layered relationship with its past. [Read More]

Festival Film Review: Hwajang / Revivre

Well, I was right. Ahn Sung-ki confessed in the Q+A which followed the screening of Hwajang that one of his most difficult tasks in portraying Oh Sang-moo, a senior executive in a cosmetics company, was to project certain aspects of being old – of being blocked inside because of the swollen prostate, of being more … [Read More]

Festival film review: Bitter, Sweet, Seoul

Bitter, Sweet, Seoul is an ambitious crowd-sourced project in which people from around the world were invited by the Seoul Metropolitan Government to submit videos which would be made into feature length film. Directors (and brothers) Park Chan-wook and Park Chan-kyong (collectively PARKing CHANce) were commissioned to organise the submissions, attracted to the project by … [Read More]

July Jung interview: loneliness, damage and connection in “A Girl at My Door”

July Jung discusses the obstacles facing female filmmakers in Korea, the precarious path to making A Girl at My Door, and her focus on loneliness, abuse, sexuality and prejudice. She explains the rural setting as a social microcosm, her collaboration with Lee Chang-dong, and her belief that intimate, local stories can achieve universal resonance. [Read More]

LKFF2014 – the reviews

This year there have been more reviewers than ever covering the Korean Film Fest. Here are links to some of the reviews, to which I’ll add as and when I spot new ones. Films are listed in the order in which they screened. Title Director Reviews EK = Eastern Kicks | HC = Hangul Celluloid … [Read More]