Late notice of a pre-performance seminar before the big event on Wednesday. Collaborating on a World Stage Seminar on Future UK/Korea Collaborations as part of A Festival of Korean Dance Wed. 16 May 6.15pm, The Place £5 | Book tickets Panelists: Shin Ah Kim (Korean Arts Management Service), Seok Kyu Choi (Creative Director of UK/Korea … [Read More]
Category: Festivals (page 18)
Mun•Bang•Sa•U – The Friends of the Scholar
The KCCUK’s contribution to London Craft Week 2018: Mun•Bang•Sa•U – The Friends of the Scholar Korean Cultural Centre | Grand Buildings | 1-3 Strand | London WC2N 5BW main entrance on Northumberland Avenue 24 April – 26 May Workshop, 12 May 14:00 – 15:00 (Register via [email protected]) As part of the Korea/UK season, the Korean … [Read More]
Ceramic, Embroidery and Lacquerware: A Trio of Korean Crafts
Han Collection’s contribution to London Craft Week: A Trio of Korean Crafts Han Collection | 33 Museum Street | London WC1A 1LH | www.hancollection.co.uk Exhibition, 9-12 May 11:00 — 18:00, 13 May 12:00 – 18:00 Demonstration, 12 May 12:00 — 16:00 The Han Collection exhibits a range of artists, celebrating three of Korea’s most loved … [Read More]
Double Bill: Jinyeob Cha x Vakki – riverrun | Lyon Eun Kwon – Glory
The final performance in the 2018 Festival of Korean Dance brings a chance to see the choreographer of the Pyeongchang Olympics opening and closing ceremonies. Don’t miss it. Double Bill Wednesday 16 May 2018, 7:30pm The Place | 17 Duke’s Rd | Euston | London WC1H 9PY | www.theplace.org.uk £17 (£13 concessions) | Book here Jinyeob … [Read More]
Double Bill: Kyoung-Shin Kim – Ordinary Stranger | Ahn Sooyoung Company – Swan Lake
The second of three performances forming a festival of Korean dance at The Place: Double Bill: Kyoung-Shin Kim – Ordinary Stranger / Ahn Sooyoung Company – Swan Lake Saturday 12 May 2018, 7:30pm The Place | 17 Duke’s Rd | Euston | London WC1H 9PY | www.theplace.org.uk £17 (£13 concessions) | Book here KR + UK: … [Read More]
Korea National Contemporary Dance Company – Immixture
Don’t miss the first-ever UK appearance by the Korea National Contemporary Dance Company as part of a Festival of Korean Dance at The Place this May. Tickets on sale now. Korea National Contemporary Dance Company – Immixture Wednesday 9 May 2018, 7:30pm The Place | 17 Duke’s Rd | Euston | London WC1H 9PY | … [Read More]
Exhibition visit – Collect 2018
For the fifth year, the Korean Craft and Design Foundation put on a splendid show at Collect. As in previous years, the stall showcased a range of crafts – from jewellery and lacquer to ceramics and more – with this year the theme being “Meditative Art”. The dramatic ceramic piece entitled Sea by Lee Eun … [Read More]
Korean crafts at Collect 2018
In addition to the major Korean exhibitors listed below, glass artist Choi Keeryong will be in the Scotland Craft & Design collection, and textile artist Kang Soojin will be with jaggedart. Collect 2018 Saatchi Gallery | Duke of York’s HQ | King’s Road | London SW3 4RY Thursday 22 February, 12pm – 7pm Friday 23 … [Read More]
Korean galleries at London Art Fair 2018
I’m not sure if I’m going to get the chance to go to the London Art Fair this year. But a scan of the website indicates the following galleries of interest. As usual, you’ll probably find Korean artists at one or two other stands as well. Gallery Location Artists Atelier Aki STAND G04 Kang Yehsine, … [Read More]
Bae Chang-ho retrospective: the highlight of LKFF 2017
For me, the highlight of this year’s London Korean Film Festival was the brief retrospective of some of Bae Chang-ho’s early output. I’ve had a soft spot for Director Bae’s work for over 15 years now: My Heart was one of the first Korean movies I saw, back in the London Korean Film Festival in 2001. … [Read More]
Festival film review: Bae Chang-ho’s The Dream
Bae Chang-ho’s The Dream is based on a story from the Samguk Yusa, a story that Yi Kwang-su worked up into a short novel. Although the tale is set in the late Silla dynasty, its message is timeless. The story starts with a weary and impoverished traveller (played by Ahn Sung-ki) trudging through the snow … [Read More]
Festival film review: Bae Chang-ho’s Whale Hunting
Based on a story by long-standing collaborator Choe In-ho, Whale Hunting is one of Korea’s seminal road movies. Hunting the whale, in the dark days of the dictatorship, was symbolic for yearning for things beyond the day-to-day. In Bae Chang-ho’s 1984 movie it represented the search for the things that give life meaning; in a … [Read More]
Festival film review double bill: Two Doors / The Remnants
As part of the Documentary strand of the 2017 London Korean Film Festival Lee Hyuk-sang of the activist documentary makers PINKS presented a pair of films on the Yongsan tragedy. The context of the tragedy was the plan to redevelop the Yongsan area as the US army prepared to move to their new base in … [Read More]
Festival film review: Bae Chang-ho’s People of the Slum
Bae Chang-ho’s debut feature, People of the Slum (1982), is based on a semi-autobiographical novel by Lee Dong-chul. The film tells the story of a complicated love triangle. Myeong-sook, played by Kim Bo-yeon, lives with her second husband, the idle and dissolute Tae-seop (played by Kim Hui-ra). Living in the same house in the run-down … [Read More]
Festival film review: Becoming who I was
Nine years ago Moon Chang-yong and Jeon Jin were in Ladakh, Kashmir – a mountainous region 100 miles or so northeast of where the Dalai Lama lives, and less than 50 miles from Tibet’s westernmost extremity. They were filming a documentary about practitioners of traditional medicine in the various regions of Asia. Their subject was … [Read More]
Lee Wan-min and Kim Sae-byuk interview: Jamsil — memory, feminism, and independent Korean cinema
Director Lee Wan-min discusses Jamsil’s use of colour, memory, fragmented time, feminism, and the realities of making independent films amid funding and industry barriers. Actress Kim Sae-byuk reflects on choosing meaningful stories, balancing independent and commercial work, and the collaborative relationship at the film’s core. [Read More]