London Korean Links

Covering things Korean in London and beyond since 2006

Gallery: Korean Artists at London Art Fair 2017

A quick post to upload some of the photos of the various galleries exhibiting Korean art at this year’s London Art Fair (plus one gallery that I missed). Hanmi Gallery Jaye Moon Jaye Moon’s work had been getting a fair amount of attention – guerrilla-style installations of Lego dotted around the Business Design Centre and … [Read More]

Festival Film review: Spirits’ Homecoming

Spirits’ Homecoming depicts the abduction and suffering of Korean girls forced into sexual slavery during the Pacific War, interweaving wartime trauma with the present-day lives of survivors. The narrative seeks release from unresolved grief and historical denial through a shamanistic ritual. LKL’s review is informed by a Q&A and panel session with the director. [Read More]

Festival film review: Yourself and Yours

Hong Sang-soo (홍상수) Yourself and Yours (당신 자신과 당신의 것, 2016) Review by Robert Cottingham. You can tell from the opening titles exactly the kind of film this is going to be. Black Korean calligraphy on a white background suggests an intelligent and possibly artistic film and the lively classical music hints at a sophisticated comedy on … [Read More]

Director Park Hong-min interview: “we were all trying to express our loneliness”

Director Park Hong-min discusses A Fish and Alone, tracing their roots in loneliness, memory, and self-analysis. He addresses the film education system in Korea and the struggles of truly independent filmmaking, and talks about casting choices, shamanism, long takes, handmade 3D and a commitment to personal questions over commercial formulas.Director Park Hong-min discusses A Fish and Alone, tracing their roots in loneliness, memory, and self-analysis. He addresses the film education system in Korea and the struggles of truly independent filmmaking, and talks about casting choices, shamanism, long takes, handmade 3D and a commitment to personal questions over commercial formulas. [Read More]

Rituals, Reflections, and 3D: Director Park Hong-min on A Fish

Director Park Hong-min discusses the shamanistic inspirations behind his debut film, A Fish. He explains his unconventional use of 3D to create a distorted reality, the symbolic role of mirrors and doppelgängers, and the influence of Jindo’s healing rituals. Park also details his collaborative approach to the film’s restrained, atmospheric sound design. [Read More]

Lee Jang-ho interview: censorship, sexuality and resistance in Korean cinema

Lee Jang-ho discusses state censorship from the colonial era through the 1990s, the enforced transformation of Declaration of Idiot, and his turn to sexuality as a tool of anti-establishment expression in the 1980s. He reflects on Shin Sang-ok’s abduction, North Korean filmmaking, and argues that contemporary Korea still harshly penalises social critique. [Read More]

Brief festival film review: Eoh Woo Dong

Lee Chang-ho (이장호) Eoh Woo Dong (어우동, 1985, 110 mins). Review by Robert Cottingham. Eoh Woo Dong translates as “entertainer,” a rough approximation of the duties of 14th-century Korean courtesan Eoh Yoon Chang. After a lifetime “in service,” Eoh Yoon Chang retires to a faraway village. Meanwhile, her powerful father, ashamed of his daughter’s lifestyle, … [Read More]

Actor Baek Yoon-sik interview: career flow, creative choice, defining roles

Actor Baek Yoon-sik reflects on moving between theatre, television, and cinema, returning to film with Save the Green Planet. He discusses choosing challenging roles, respecting scripts, limited improvisation, and working on politically and socially charged films (such as The President’s Last Bang), framing acting as creative labour shaped by history, collaboration, and personal judgment. [Read More]