Translated by: Emily Yae Won
Publisher: Strangers Press, 2019.
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A poet reflects on the lives of the different generations of women around her as she contemplates her own divorce from a socially-engaged photographer; her feelings are complicated by the ethics of public/private, art/life divisions, as well as the country’s contemporary history. The story reveals the raw complexity of gender dynamics in a society still hobbled by the demands forced on its people through war and ideology and rapid modernization; it is a good reminder of the different feminisms that do and must exist.
Read a review by Tony Malone here. Entry on Goodreads.com here.
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